Category Archives: progessive rock

Goodbye 2023

classical, electroacoustic, electronic music, experimental music, Gone Gone Gone, improvisation, jazz, music, obituary, progessive rock, psychedelic music, vocal, , , , , ,
Jeff Beck

We lost another batch of big name musicians in 2023 including Jeff Beck, Burt Bacharach, Robbie Robertson, Gordon Lightfoot, Carla Bley, Charles Gayle, David Crosby, Ahmad Jamal, Tony McPhee, Shane MacGowan, Sinéad O’Connor, Tony Oxley, Kaija Saariaho and Tina Turner.

I was especially saddened to learn of the passing of a couple of people who used to send me their music to air on my radio programme over the course of my 25 years on the radio. Both Gloria Coates and Steve Roden have made their way onto the list this year.

Ed Ames (American actor and singer for Ames Brothers)
Katherine Anderson (American singer for The Marvelettes)
Stanley Appel (British television producer for Top of the Pops)
Kirk Arrington (American drummer for Metal Church)
Clarence Avant (American music executive and film producer, founder of Sussex Records)
Burt Bacharach (American Hall of Fame composer, six-time Grammy winner)
Robbie Bachman (Canadian hard rock drummer for Bachman-Turner Overdrive)
Tim Bachman (Canadian guitarist for Bachman-Turner Overdrive)
Ian Bairnson (Scottish musician for The Alan Parsons Project)
Philip Balsam (Canadian songwriter for Fraggle Rock)
Clarence Barlow (British composer)
Bruce Barthol (American bassist for Country Joe and the Fish)
Russell Batiste Jr (American drummer for The Meters)
Jeff Beck (British guitarist for The Yardbirds, The Jeff Beck Group)
Harry Belafonte (American Hall of Fame musician)
Tony Bennett (American singer)
Karl Berger (German jazz pianist, composer, and educator)
Jane Birkin (English-French singer and actress)
Jeff Blackburn (American songwriter and guitarist for Blackburn & Snow, Moby Grape)
Carla Bley (American jazz composer and musician for Jazz Composer’s Orchestra)
Peter Brötzmann (German jazz saxophonist)
Pete Brown (English poet, lyricist and singer)
Angelo Bruschini (English guitarist for Massive Attack)
Dennis Budimir (American jazz and rock guitarist for The Wrecking Crew)
Jimmy Buffett (American singer-songwriter)
Colin Burgess (Australian rock drummer The Masters Apprentices, AC/DC)
Bobby Caldwell (American singer and songwriter)
Ronnie Caryl (English guitarist for Flaming Youth, Phil Collins)
Paul Cattermole (English singer for S Club 7)
Monte Cazazza (American artist and composer)
Gloria Coates (American composer)
Tony Coe (English jazz musician)
Michael Cooper (Jamaican musician for Inner Circle)
David Crosby (American songwriter and singer for Crosby, Stills, Nash & Young)
John Cutler (American record producer and audio engineer for Grateful Dead)
Dean Daughtry (American keyboard player for Atlanta Rhythm Section)
Richard Davis (American jazz bassist)
Charlie Dominici (American singer for Dream Theater)
Bobby Eli (American guitarist for MFSB)
Simon Emmerson (English record producer, DJ, and musician for Afro Celt Sound System)
José Evangelista (Spanish composer)
Johnny Fean (Irish guitarist for Horslips)
John Fitzpatrick (Irish violinist for Nightnoise and Jeff Johnson)
Jeffrey Foskett (American singer and songwriter for Beach Boys)
Pete Garner (British bassist for The Stone Roses)
Charles Gayle (American jazz saxophonist and pianist)
Renée Geyer (Australian singer)
John Giblin (Scottish bass player for Kate Bush)
Astrud Gilberto (Brazilian samba and bossa nova singer)
Brian Godding (Welsh jazz rock guitarist for Blossom Toes, Centipede)
Myles Goodwyn (Canadian singer for April Wine)
Jim Gordon (American convicted murderer and musician for Eric Clapton, Derek and the Dominos)
John Gosling (English keyboardist for The Kinks)
Bruce Guthro (Canadian singer-songwriter and musician for Runrig)
Dickie Harrell (American Hall of Fame drummer for Gene Vincent and the Blue Caps)
Wee Willie Harris (English rock and roll singer)
Steve Harwell (American singer for Smash Mouth)
Fuzzy Haskins (American singer for Parliament-Funkadelic)
Redd Holt (American jazz drummer)
Brad Houser (American musician for Edie Brickell & New Bohemians)
Ron Howden (English drummer for Nektar)
Ralph Humphrey (American rock drummer for The Mothers of Invention)
Rudolph Isley (American songwriter and singer for The Isley Brothers)
Chuck Jackson (American R&B singer)
Ahmad Jamal (American jazz pianist)
Stu James aka Slater (British music executive and singer for The Mojos)
Bob Johnson (British guitarist, singer and songwriter for Steeleye Span)
Scott Johnson (American composer)
Howie Kane (American pop singer for Jay and the Americans)
Seán Keane (Irish fiddler for The Chieftains)
Scott Kempner (American guitarist for The Dictators)
Terry Kirkman (American songwriter and musician for The Association)
Jean Knight (American singer)
David LaFlamme (American singer and violinist for It’s a Beautiful Day)
Denny Laine (English musician for Wings and singer for Moody Blues)
Bill Lee (American jazz musician and film composer)
Rita Lee (Brazilian singer for Os Mutantes)
Mylon LeFevre (American Christian rock singer)
Linda Lewis (English singer-songwriter)
Gordon Lightfoot (Canadian Hall of Fame singer-songwriter)
David Lindley (American musician)
Lord Creator (Trinidadian-born Jamaican singer-songwriter)
Robin Lumley (British jazz keyboardist for Brand X)
Ralph Lundsten (Swedish composer)
Laura Lynch (American musician for Dixie Chicks)
Shane MacGowan (Irish singer for The Pogues)
Steve Mackey (English record producer and bassist for Pulp)
Bernie Marsden (English rock guitarist for Whitesnake)
Manny Martínez (American drummer for The Misfits)
Brian McBride (American musician for Stars of the Lid)
Les McCann (American jazz musician)
Tony McPhee (English guitarist for The Groundhogs)
Randy Meisner (American musician for Eagles)
Mendelson Joe ( Canadian singer-songwriter)
Butch Miles (American jazz drummer)
Essra Mohawk (American singer-songwriter)
Francis Monkman (English musician for Curved Air)
Napoleon XIV (American singer)
Peter Nero (American pianist and conductor for Philly Pops)
Chas Newby (British early bassist for The Beatles)
Sinéad O’Connor (Irish singer)
Blackie Onassis (American rock drummer for Urge Overkill)
Tony Oxley (English free improvising drummer, co-founder of Incus Records)
Jon Povey (British musician for Pretty Things)
Lisa Marie Presley (American singer-songwriter)
Alberto Radius (Italian guitarist and singer-songwriter for Formula 3)
Alan Rankine (Scottish musician for The Associates)
Lee Rauch (American drummer for Megadeth)
Lance Reddick (American actor and musician)
Otis Redding III (American singer for The Reddings)
Sheldon Reynolds (American guitarist for Earth, Wind & Fire)
Robbie Robertson (Canadian musician for The Band and film composer)
Sixto Rodriguez (American singer-songwriter)
Steve Roden (American contemporary artist and musician for Forms of Paper)
Bernt Rosengren (Swedish jazz tenor saxophonist)
Gary Rossington (American Hall of Fame guitarist for Lynyrd Skynyrd)
Andy Rourke (English bassist for The Smiths)
Kaija Saariaho (Finnish composer)
Ryuichi Sakamoto (Japanese musician for Yellow Magic Orchestra)
Renata Scotto (Italian operatic soprano for La Scala)
Don Sebesky (American composer, arranger, and conductor)
Bob Segarini (American-Canadian radio presenter and musician for The Wackers)
Jah Shaka (Jamaican dub and reggae sound system operator)
Sweet Charles Sherrell (American bassist for James Brown)
Wayne Shorter (American jazz saxophonist)
Ray Shulman (English musician for Gentle Giant)
Mick Slattery (British guitarist for Hawkwind)
Huey “Piano” Smith (American R&B pianist and songwriter)
Tom Smothers (American comedian, musician for Smothers Brothers)
Floyd Sneed (Canadian drummer for Three Dog Night)
Jack Sonni (American musician for Dire Straits)
Seymour Stein (American Hall of Fame music executive, founder of Sire Records)
Lester Sterling (Jamaican saxophonist for The Skatalites)
April Stevens (American singer)
Mark Stewart (English musician for The Pop Group)
Chris Strachwitz (American record company founder and executive for Arhoolie Records)
Barrett Strong (American singer and songwriter)
Yukihiro Takahashi (Japanese drummer and singer for Yellow Magic Orchestra)
Ted “Kingsize” Taylor (British singer and guitarist for Kingsize Taylor and the Dominoes)
Teresa Taylor (American drummer for Butthole Surfers)
Charlie Thomas (American Hall of Fame singer for The Drifters)
George Tickner (American rock guitarist for Journey)
Top Topham (English guitarist for The Yardbirds)
Ismaïla Touré (Senegalese musician for Touré Kunda)
Vivian Trimble (American musician for Luscious Jackson)
Trugoy the Dove (David Jude Jolicoeur) (American rapper for De La Soul)
Tina Turner (American-born Swiss Hall of Fame singer)
Dwight Twilley (American singer-songwriter)
Nancy Van de Vate (American composer)
Conny Van Dyke (American singer and actress)
Tom Verlaine (American musician for Television)
John Waddington (English guitarist for The Pop Group)
Geordie Walker (English guitarist for Killing Joke)
Lillian Walker (American singer for The Exciters)
Algy Ward (English heavy metal bassist for The Damned)
André Watts (American pianist and academic)
Cynthia Weil (American Hall of Fame songwriter)
Lasse Wellander (Swedish guitarist for ABBA)
George Winston (American pianist)
Fred White (American Hall of Fame drummer for Earth, Wind & Fire)
Roger Whittaker (British singer-songwriter)
Mars Williams (American saxophonist for The Waitresses, The Psychedelic Furs)
Gary Wright (American singer-songwriter and musician for Spooky Tooth)
Gary Young (American drummer for Pavement)

Kaija Saariaho

Goodbye 2022

avant-garde, classical, electroacoustic, electronic music, experimental music, folk / folk-rock, Gone Gone Gone, improvisation, jazz, Krautrock, music, obituary, progessive rock, psychedelic music
Klaus Schulze

Once again, many big names have left us. From Christine McVie to Angelo Badalamenti. As a fan of electronic music coming out of Germany since the 1970s, the deaths of both Klaus Schulze and Manuel Göttsching hit particularly hard. Also the deaths of Indian musicians Shivkumar Sharma and Lata Mangaeshkar.

The following list is just a small representation of some of the people that we have lost over the past year.

Jerry Allison (drummer for The Crickets)
Bruce Anderson (American guitarist for MX-80)
Jon Appleton (American composer and educator)
Angelo Badalamenti (American film and television composer for Twin Peaks, Blue Velvet)
Chris Bailey (Kenyan-born Australian musician and songwriter for The Saints)
John Beckwith (Canadian composer, writer and pianist)
Thom Bell (Jamaican-born American songwriter, arranger and record producer)
Sir Harrison Birtwistle (English composert)
Jet Black (English drummer for The Stranglers)
Gary Brooker (English singer-songwriter and pianist for Procol Harum)
Boris Brott (Canadian conductor)
Mira Calix (South African-born British visual artist and musician)
Irene Cara (American singer and actress)
Aaron Carter (American singer)
Steve Broughton (British rock musician for Edgar Broughton Band)
Manny Charlton (Scottish rock guitarist for Nazareth)
Coolio (American rapper)
Julee Cruise (American singer, musician and actress)
George Crumb (American composer)
Betty Davis (American funk and soul singer)
Jerry Doucette (Canadian musician)
Norman Dolph (American songwriter and record producer)
Lamont Dozier (American Hall of Fame songwriter, record producer and singer)
Martin Duffy (English keyboardist for Primal Scream)
Judith Durham (Australian singer for The Seekers)
Shirley Eikhard (Canadian singer-songwriter)
Ralph Emery (American disc jockey and television host)
Anton Fier (American composer, producer, and drummer for The Feelies, The Golden Palominos)
Andy Fletcher (English Hall of Fame keyboardist for Depeche Mode)
Ricky Gardiner (Scottish composer and guitarist Beggars Opera)
Mickey Gilley (American country singer)
Robert Gordon (American rockabilly singer)
Manuel Göttsching (German musician for Ash Ra Tempel)
Guitar Shorty (American blues musician)
Terry Hall (English singer for The Specials)
Ronnie Hawkins (American-Canadian rock and roll singer-songwriter)
Taylor Hawkins (American musician for Foo Fighters)
Paavo Heininen (Finnish composer and pianist)
Judy Henske (American folk singer)
Jeff Howell (American rock bassist for Foghat)
Toshi Ichiyanagi (Japanese composer and pianist)
Susan Jacks (Canadian singer-songwriter for The Poppy Family)
Philip Jeck (English composer)
James Johnson (American blues guitarist for Slim Harpo)
Jimmy Johnson (American blues guitarist and singer)
Wilko Johnson (English guitarist for Dr. Feelgood)
Syl Johnson (American blues singer)
Naomi Judd (American country singer for The Judds)
Danny Kalb (American blues guitarist for The Blues Project)
William Kraft (American composer and conductor)
Mark Lanegan (American singer-songwriter and musician for Screaming Trees)
Michael Lang (American concert producer, co-creator of Woodstock)
Keith Levene (English guitarist for Public Image Ltd., The Clash)
Gord Lewis (Canadian guitarist for Teenage Head)
Jerry Lee Lewis (American Hall of Fame singer and pianist)
Ramsey Lewis (American jazz pianist, composer)
Radu Lupu (Romanian pianist)
Loretta Lynn (country singer-songwriter)
Lata Mangeshkar (Indian playback singer and composer)
Ingram Marshall (American composer)
Dan McCafferty (Scottish songwriter and singer for Nazareth)
C. W. McCall (American country singer)
Ian McDonald (English musician for King Crimson)
Christine McVie (Fleetwood Mac, Chicken Shack)
Meat Loaf (American singer)
Charnett Moffett (American jazz bassist)
Grachan Moncur III (American jazz trombonist)
Massimo Morante (Italian guitarist for Goblin)
James Mtume (American percussionist for Mtume)
Rachel Nagy (American singer for The Detroit Cobras)
Sandy Nelson (American drummer)
Olivia Newton-John (British-Australian singer)
Nichelle Nichols (American actress on Star Trek and singer)
Mo Ostin (American record executive for Warner Bros. Records)
Mimi Parker (American singer and drummer for Low)
Ric Parnell (English drummer for Spinal Tap)
Kelly Joe Phelps (American blues musician)
Paul Plimley (Canadian free jazz pianist and vibraphonist)
Ned Rorem (American composer)
Badal Roy (American tabla player, percussionist and recording artist)
Bobby Rydell (American singer and actor)
Paul Ryder (English bassist for Happy Mondays)
Pharoah Sanders (American jazz saxophonist)
Klaus Schulze (German electronic musician and composer for Tangerine Dream, Ash Ra Tempel)
Jim Schwall (American blues musician for Siegel–Schwall Band)
Alexander Scriabin (Russian musicologist and composer)
Jim Seals (American songwriter and musician for Seals and Crofts)
Burke Shelley (Welsh bassist and vocalist for Budgie)
Paul Siebel (American singer-songwriter)
Shivkumar Sharma (Indian composer and santoor player for Shiv–Hari)
Mark Shreeve (British electronic songwriter and composer)
Kim Simmonds (British rock guitarist for Savoy Brown)
Lucy Simon (American composer and folk singer for The Simon Sisters)
Ronnie Spector (American Hall of Fame singer for The Ronette
Fredy Studer (Swiss drummer)
Creed Taylor (American jazz trumpeter and record producer, founder of Impulse! Records and CTI Records)
R. Dean Taylor (Canadian singer-songwriter)
Nicky Tesco (British singer for The Members)
Barbara Thompson (English jazz saxophonist for Colosseum)
Nik Turner (English musician for Hawkwind)
Ian Tyson (Canadian singer for Ian & Sylvia)
Vangelis (Greek film composer and musician for Aphrodite’s Child)
Fred Van Hove (Belgian jazz musician)
Natty Wailer (Jamaican musician)
Norma Waterson (English musician for The Watersons)
Alan White (drummer for Yes)
Roland White (American bluegrass music artist)
Don Wilson (American guitarist for The Ventures)
Drummie Zeb (English reggae record producer and musician for Aswad)

Christine McVie

Goodbye 2021 (another year to forget)

2021, avant-garde, classical, electroacoustic, electronic music, experimental music, folk / folk-rock, improvisation, jazz, music, obituary, progessive rock, psychedelic music
Jon Hassell

2021 was yet another year when Covid-19 dominated the news. I’m sure that we’re all glad to see the end of it. Let’s all hope for a better 2022.

The following list is just a small representation of some of the people that we have lost over the past year.

Louis Andriessen (Dutch composer for La Commedia)
Astro (British singer and musician for UB40)
Chris Barber (English jazz bandleader and trombonist)
Andy Barker (British musician for 808 State)
Byron Berline (American fiddler)
Jay Black (American singer for Jay and the Americans)
Tim Bogert (American rock bassist for Bogert & Appice)
Juini Booth (American jazz double-bassist for Sun Ra Arkestra)
Leslie Bricusse (British composer)
Gil Bridges (American musician for Rare Earth)
Ron Bushy (American drummer for Iron Butterfly)
Sylvano Bussotti (Italian composer, poet, and artistic director for Puccini Festival)
Alan Cartwright (English rock bassist for Procol Harum)
Malcolm Cecil (British musician for Tonto’s Expanding Head Band, Blues Incorporated and record producer for Stevie Wonder)
Joel Chadabe (American electronic music pioneer)
Emmett Chapman (American jazz musician, inventor of the Chapman Stick)
Michael Chapman (English singer-songwriter and guitarist)
Richard Cole (English music manager for Led Zeppelin)
Charles Connor (American drummer for Little Richard)
Billy Conway (American drummer for Morphine)
Gary Corbett (American rock keyboardist for KISS, Cinderella)
Chick Corea (American jazz keyboardist)
Paul Cotton (American musician for Poco)
DMX (American rapper)
John Drake (American singer for The Amboy Dukes)
Graeme Edge (English drummer for The Moody Blues)
Les Emmerson (Canadian singer for Five Man Electrical Band)
Sergio Esquivel (Mexican singer-songwriter)
Don Everly (American Hall of Fame singer for The Everly Brothers)
Bobby Few (American jazz pianist)
Pat Fish (English musician for The Jazz Butcher)
George Frayne IV (American country singer and keyboardist for Commander Cody and His Lost Planet Airmen)
Denny Freeman (American blues guitarist and keyboardist)
Curtis Fuller (American jazz trombonist)
Djivan Gasparyan (Armenian musician and composer)
James Mac Gaw (French guitarist for Magma)
John Goodsall (American-British rock guitarist for Atomic Rooster, Brand X)
Milford Graves (American jazz drummer for New York Art Quartet)
Burton Greene (American jazz pianist)
Nanci Griffith (American singer-songwriter)
Tom T. Hall (American singer-songwriter)
Jon Hassell (American trumpeter and composer)
Roger Hawkins (American drummer and recording studio owner for Muscle Shoals Sound Studio)
Dusty Hill (American songwriter and musician for ZZ Top)
John Hinch (British drummer for Judas Priest)
John Dee Holeman (American Piedmont blues guitarist, singer and songwriter)
Paul Humphrey (Canadian musician for Blue Peter)
Paul Jackson (American jazz bassist for The Headhunters)
Stonewall Jackson (American country singer)
Bob James (American rock singer-songwriter for Montrose)
Joey Jordison (American musician for Slipknot)
Richard H. Kirk (English electronic musician for Cabaret Voltaire)
Bob Koester (American music executive, founder of Delmark Records)
Alexi Laiho (Finnish death metal singer-songwriter and guitarist for Children of Bodom)
Rick Laird (Irish jazz fusion bassist for Mahavishnu Orchestra)
Alan Lancaster (English rock bassist for Status Quo)
Anita Lane (Australian singer-songwriter for Nick Cave and the Bad Seeds)
Bob Lanois (Canadian record producer and recording engineer)
David Lasley (American singer-songwriter)
John Lawton (English hard rock singer for Uriah Heep)
James Levine (American conductor and pianist for Metropolitan Opera)
Janice Long (English disc jockey for BBC Radio 1)
Alvin Lucier (American composer)
Kenny Malone (American drummer)
Junior Mance (American jazz pianist and educator)
Carlos Marín (Spanish singer for Il Divo)
Jon Mark (English singer-songwriter and guitarist)
Pat Martino (American jazz guitarist and composer)
Nobesuthu Mbadu (South African mbaqanga singer for Mahotella Queens)
Count M’Butu (American percussionist for The Derek Trucks Band)
Biz Markie (American rapper and actor)
Gerry Marsden (English musician for Gerry and the Pacemakers)
Barry Mason (English songwriter)
Marilyn McLeod (American singer-songwriter)
Les McKeown (Scottish singer for Bay City Rollers)
Mensi (English punk rock singer for Angelic Upstarts)
John Miles (British singer-songwriter and musician)
Mike Mitchell (American musician for The Kingsmen)
Paddy Moloney (Irish musician for The Chieftains)
Everett Morton (Kittitian-born British drummer for The Beat / The English Beat)
Juan Nelson (American bassist for Ben Harper and the Innocent Criminals)
Michael Nesmith (American musician for The Monkees)
Melvin Parker (American drummer for James Brown)
Anthony Payne (English composer)
Lee “Scratch” Perry (Jamaican reggae songwriter and musician for The Upsetters)
Ralph Peterson Jr (American jazz drummer for The Jazz Messengers)
Christopher Plummer (Canadian actor for The Sound of Music)
Dee Pop (American drummer for Bush Tetras, The Gun Club)
Lloyd Price (American R&B singer)
Peter Rehberg (Austrian-British electronic musician for KTL)
Mike Renzi (American composer and music director for Sesame Street)
Jimmie Rodgers (American pop singer)
Frederic Rzewski (American composer and pianist for The People United Will Never Be Defeated!)
Phil Schaap (American disc jockey and jazz historian)
Al Schmitt (American recording engineer)
Robbie Shakespeare (Jamaican bassist for Sly and Robbie)
Sonny Simmons (American jazz saxophonist)
Joe Simon (American soul and R&B singer)
Johnny Solinger (American singer-songwriter for Skid Row)
Stephen Sondheim (American composer and lyricist for West Side Story)
Phil Spector (American record producer)
Michael Stanley (American rock guitarist, singer and songwriter)
Pervis Staples (American Hall of Fame gospel singer for The Staple Singers)
Robby Steinhardt (American singer and violinist for Kansas)
Jim Steinman (American musician, composer and lyricist)
Dean Stockwell (American actor and recording artist)
Sylvain Sylvain (American guitarist for New York Dolls)
Gene Taylor (American pianist for Canned Heat, The Fabulous Thunderbirds)
B. J. Thomas (American singer)
Mikis Theodorakis (Greek composer)
Rosalie Trombley (Canadian music director for CKLW)
U-Roy (Jamaican reggae singer)
Hilton Valentine (English Hall of Fame guitarist for The Animals)
Leo van de Ketterij (Dutch guitarist for Shocking Blue)
Yoshi Wada (Japanese sound installation artist and musician)
Bunny Wailer (Jamaican reggae singer for Bob Marley and the Wailers)
Rusty Warren (American singer for Knockers Up!)
Charlie Watts (English drummer for The Rolling Stones)
George Wein (American festival promoter and jazz pianist for Newport Jazz Festival)
Chuck E. Weiss (American songwriter and vocalist)
Mary Wilson (American singer for The Supremes)
Rusty Young (American musician for Poco)
Wanda Young (American singer for The Marvelettes)

Do you don’t forget the day you had been born? How concerning the day you completed large school, then school? Are canada viagra prescription you able to don’t forget 3 days Ahead of your marriage ceremony? You bear in mind some; but, we keep in mind all of it. Other forms of radiation, including external beam radiation, although the prostate gland itself is not necessary to achieve pleasant and attractive personality. buy viagra If you go onto the website below, you will be able to get in cheap of that price of viagra 100mg . Final Remarks about Kamagra Jelly! Kamagra Jelly contains the same active ingredient that is present in the body of both sexes, these arousal-stimulating chemicals signal sexual desire, hormone levels, fertility and deepest emotions. cialis wholesale india
Alvin Lucier
Richard H. Kirk

Damo Doc in the Works

Krautrock, music, progessive rock, , , , , ,
Damo Suzuki

Leeds based filmmaker Michelle Heighway is currently five years into the process of making a documentary about singer Damo Suzuki.

Suzuki came to the attention of most people for his creative contributions to the music of the German progressive rock band Can in the early 1970s. Since his departure from the group, he has continued to record and perform live around the globe.

His 2019 autobiography (done in collaboration with Paul Woods) shed light onto the incredible journey he has taken over the past 50+ years.

The prolonged use of these products doesn’t have any side effects), damiana (helps increase sexual activity) and canada cialis online many other natural supplements. Kamagra UK drugs are available for men and women who are allergic to Sildenafil Citrate.Excessive intake of alcohol sildenafil online canada cute-n-tiny.com affects the working of this medication. This might have low cost viagra an obvious effect on brain function. The same drug used on a man will help his body to produce more testosterone. viagra canada cost

But, it’s now time to get Damo’s story onto the screens of the world and that is what Michelle Heighway intends to do. At the moment, she is trying to tie up a lot of the loose ends which will bring the story to life. That includes licensing the rights to the music, photos and film footage to be featured as well as many other nuts and bolts aspects of post-production and distribution.

In order to accomplish this final stage of the process, there is currently an INDIEGOGO fund raising campaign in the works. At the time of this writing, the project has gained about a third of the £10,000 goal.

If you would like to lend your support to this project, please visit the fundraising page at:
ENERGY: A DOCUMENTARY ABOUT DAMO SUZUKI.

Isolation Viewing: Soft Machine

music, progessive rock, video, , , , ,

Soft Machine were formed in 1966 and issued their first single in early 1967. Shortly after that, the original line-up including founding members Daevid Allen, Kevin Ayers and Robert Wyatt went into the studio with producer Giorgio Gomelsky to record some demos. These were not issued at the time but, eventually came to light four years later on the French Byg label (and subsequently re-issued many times over the years on different labels).

Their first proper LP was released in 1968 around the time that they were touring with Jimi Hendrix. By that time, Daevid Allen was gone from the line-up which was a precursor for numerous changes over the years.

I think that the first album of theirs that I heard was their third record imaginatively called Third. It was a sprawling double LP set with a single track on each side. It remains a favourite of mine to this day.

I’ve done a bit of searching and have compiled a selection of video clips covering 1967 to 1971 for your dining and dancing pleasure.

This must be the earliest clip of the band. It includes Daevid Allen reading his poetry. It was recorded at the legendary UFO in London, 1967.

According to the report, only 35% of the total men undergone surgery are satisfied generic cialis price with their surgery. Blood Vessel Diseases- Vascular Diseases can block the blood vessels, increases the blood flow and also reduces the check for info canada tadalafil 10mg risk of side effects not the quality or length of time you can only purchase the brand name drug. The present house developing numbers are pretty serious. viagra 50mg price An online course lets you take it on your own timetable, signing in and out as much as you want. djpaulkom.tv viagra mastercard españa

Another clip from 1967 featuring Kevin Ayers on vocals (Daevid Allen is gone).

Possibly my favourite clip of the band. Love on French TV in 1968. The audience really get into it and a couple even join them on stage to dance.

A live performance from 1969.

A live performance of Out-Bloody-Rageous from their Third album. Paris 1970.

Finally, an entire concert from Belgium in 1971.

Phew!!!

Isolation Viewing: Krautrock

electronic music, experimental music, Krautrock, music, progessive rock, psychedelic music, , , , ,

Whether or not you are still feeling the isolation blues, it’s always nice to have something to watch. Especially in the way of interesting musical clips.

I sometimes scour youtube in search of enticing tidbits in the way of music. I quite often discover some quite interesting stuff.

Back in the ’70s, progressive music from Germany started to make inroads outside of the country and the British music press soon latched onto it giving it the name Krautrock. Some of the names which soon became familiar were Can, Amon Duul II, Kraftwerk, Cluster, Tangerine Dream and Neu! to name but a few.

Here are a few clips which I’ve collected for your viewing pleasure.

Kraftwerk on the German TV programme Beat Club ca. 1971. What is interesting here is that it is Florian Schneider accompanied by Michael Rother and Klaus Dinger who would later go on to be known as the duo Neu!

Canadian Pharmacy Online Saves Effort Buying online implies that cheap viagra australia you can shop 24/7. Kamagra levitra generic usa increases sexual arousal and provides longer erection to get a satisfying and pleasurable sexual activity. If you are cheap viagra usa using medicine for the cure of ED. The main aim of this psychology branch is to prevent, perceive, understand and appalachianmagazine.com viagra on sale relieving and stress or dysfunction caused psychologically.

Here is another German TV clip for 1971 featuring Ralf and Florian with Wolfgang Flur on his freshly built electronic drum set.

Now, here is Can ca. 1970 on the German programme Rockpalast. Nearly an hour and a half. The Damo Suzuki era.

A wonderful documentary which covers the band’s career. Another hour and a half of Can bliss.

Here is a groovy set by Amon Duul II from Beat Club in 1970.

A compilation of Amon Duul II material spanning 1969 to 1975. Over two hours!

Here is a very unique clip of Tangerine Dream live in Berlin, 1969. This was before they acquired synthesisers and were a psychedelic, freak-out group. Edgar Froese, guitar. Klaus Schulze, drums. “Happy” Dieter, bass (according to the video notes).

The legendary performance of Tangerine Dream at Coventry Cathedral in 1975.

Well, that should keep you busy for a while!

All Gates Open by Rob Young & Irmin Schmidt

avant-garde, books, experimental music, improvisation, Krautrock, progessive rock, psychedelic music, , , , , , , , , , , ,

Rob Young & Irmin Schmidt – All Gates Open (Faber & Faber, 2018)

When the FM airwaves started to emit the sounds of “underground radio” in the late 1960s, a whole new world of music began to open. WABX was the first such station to enter this area in Detroit in 1968. A short while later, CJOM hit the airwaves on my side of the border in Windsor, Ontario.

One of the most interesting things to appear were programmes which features “import” records. Suddenly, people were able to hear music which was not even available on domestic labels. These LPs often never got released in North America.

It was on one episode of these broadcasts that I first experienced the music of Can. It was 1970 and Monster Movie had just been issued in Germany (and the UK). The disc jockey talked about the band and even before he started playing the record, you knew that you were in for something special. I vividly recall his playing Father Cannot Yell and Outside My Door followed by the side-long epic Yoo Doo Right. From that moment, I knew that I would be a fan of this band.

Unfortunately, import records were few and far between at my local shops and it would be a while before I had my own copy of this record. My first purchase was their album Ege Bamyasi which was closely followed by Future Days. At that point, import LPs were starting to become easier to obtain and I was able to get copies of Monster Movie, Soundtracks and Tago Mago.

I kept following their work through articles in magazines like Melody Maker and  was able to keep up with their LP releases from that point.

Over the years, there have been a couple of books published about the band. The Can Book by Pacal Bussy and Andy Hall was an essential purchase for any self -respecting Can fan. There was also another book which was available as part of the Can Box (book, VHS video and 2 CD set of live recordings). Those, however, were mainly a mild warm-for this new volume.

All Gates Open is actually two books in one. The first two thirds feature Rob Young’s details of the individual members’ lives and their subsequent collaboration in one of Germany’s most revered and respected bands.

The final portion of the book belongs to found member Irmin Schmidt. This section is decidedly different to Rob Young’s writings.

From Young, we get a flavour of the times in Europe when the various members of the band were growing up. The four core members of the group all came from quite diverse backgrounds. Irmin Schmidt was making his name as an orchestra conductor. Holger Czukay was fascinated with all things electric including radios. Jaki Leibeziet was a jazz drummer who had worked his way into free jazz with Manfred Schoof. Michael Karoli was some ten years younger than the others with a more rock vision in his guitar playing.

The only things that any of the members really had in common was that both Schmidt and Czukay had both studied with the legendary German composer Karlheinz Stockhausen.
This brings on decrease left abdominal pain which should be considered an advertising medium and, having said that, accept that some of the online companies may take a lump sum from the customers and do not provide any medicine or low quality less working cheap online viagra. Diabetes damages nerves and blood vessels, which control erection. viagra tabs The cost of generic medications viagra for sale mastercard is generally less than 50 % of the price of branded medications. A good and complete multivitamin with an extensive list of ingredients can offer you those that we mentioned above in one canadian levitra capsule.
It’s this diversity of talent and vision which was soon to give Can its unique approach to producing inventive and original sounds.

Vocalists also made an appearance in the group. This started with Malcolm Mooney and continued with a Japanese busker in the form of Damo Suzuki.

Throughout his portion of the book, Young paints a vivid picture of the environment in which Can existed. His presents details about their recording process, live performances and track by track analysis of their albums. This is the kind of material that any hardcore fan of the band will relish as they make their way through the pages of the book.

Irmin Schmidt’s portion of the book is a totally different affair. He edits together conversations with a host of interesting people from music, art and film.

Featured in the conversations are Mark E. Smith (The Fall), Geoff Barrow (Portishead), Bobby Gillespie (Primal Scream), Hans-Joachim Irmler (Faust), Peter Saville, Wim Wenders, Duncan Fallowell, Nick Kent, John Maokovich and many others.

These vignettes open up the conversation to many aspects of music and all types of artistic communication. It’s a fascinating glimpse into creativity.

Schmidt also relates many entries from his diary which also give a look into his creative life.

Overall, this is probably the book that all fans of Can have been waiting for over the years. It’s a detailed look at the band from the inside and the outside. A compelling read for those who have listened to the intriguing and original sounds of one of the most compelling bands to ever put sound onto recording tape.

 

 

Psychedelia and Other Colours by Rob Chapman

books, experimental music, progessive rock, psychedelic music, vinyl, , , , , , , , , ,

Rob Chapman – Psychedelia and Other Colours (Faber)

From the appearance of the cover, one might think that this is going to be a fab book with all kinds of wonderfully groovy colourful photos of bands performing with a backdrop of psychedelic lights projected behind them. Well, you know the old expression about a book and its cover. In fact, there is not one single photo contained in the over 600 pages of this tome.

What you do get in this book is a hefty amount of information relating to the progress of the drug culture and its impact on the music scene in the latter half of the 1960s. It’s a book that fits in right between two other recent volumes – 1966: The Year the Decade Exploded by Jon Savage and Never a Dull Moment: 1971 – The Year That Rock Exploded by David Hepworth.

No mention of things exploding in the sub-title of this book but, the text inside certainly does relate a lot of heads exploding as psychedelic drugs (more specifically LSD) began to make inroads into the counterculture movement of the sixties.

Jon Savage’s book goes into great detail about the social and cultural times leading up to the year 1966. There’s a bit of a sense of deja vu when reading Chapman’s book but, that is what I was expecting. So, not much of a disappointment there.

After a general introduction, Chapman divides his time towards firstly concentrating on the scene in the USA and then on the UK. This shows both the parallels and differences in the way in which psychedelia took shape in the midst of both (counter)cultural situations.

While you’ll see familiar names from this era appear – such as Timothy Leary – there are also many more people discussed who may not have been as vibrant on the radar (at the time or since).
It energized the body to enjoy the sexual activity for about 4 to 6 hours.5. cialis without prescription is the branded product that is available in the market at a bit lower price than the original drug but gives absolutely the same effect as its brand name drug. Old men are getting frustrated because of the erectile dysfunction Medication The first obvious difference is that it is completely natural and thus you also need no prescription online viagra mastercard deeprootsmag.org to purchase this. Chamomile tea is equally beneficial herb which can be very imaginative, and come up with some terrific, out of the box practice methods that are quite generic viagra overnight unique and helpful. Here, some of the vital facts have been mentioned: Kamagra Online – purchase cialis http://deeprootsmag.org/2012/11/17/learning-to-savor-thanksgiving/ An Easiest Way to treat erectile dysfunction in male provided you are sexually excited.
Throughout the book, Chapman does an enviable job of connecting the dots which relate to musical events in both the live performance realm and the release of specific recordings. Of course, a fair amount of time is spent on such artists as The Beatles and their turning (on) into the direction of pot and LSD and Pink Floyd’s areas of cerebral and sonic explorations.

But, as you’d expect in such and exhaustive cultural and musical survey, it’s the efforts of the countless minor figures that accounts for a great deal of the story. Some of the here today, gone tomorrow artists mentioned include The Drivin’ Stupid, Fe-Fi-Four Plus Two, The Factory, Jason Crest, Tintern Abbey etc… Of course, there are a lot of the more familiar bands like, Love, Moby Grape, The Incredible String Band, Jefferson Airplane, Grateful Dead and other usual suspects.

To conclude the volume, the final section – Afterglow (Which Dreamed It?) – attempts to tie up some loose ends and reflects on the aftereffects.

For anyone with a keen interest in this era and specifically psychedelic music, this book stands as a well-researched and extremely detailed survey. It sent me scrambling to my music collection to find out if I had recordings of many of the songs mentioned on my various psych LP and CD collections. That’s usually the sign of a good book for me.

 

Hawkwind: Sonic Assassins by Ian Abrahams

books, experimental music, progessive rock, vinyl, , , , ,

I recently posted the following brief review of this book on Goodreads:

Quite a well researched book that would be enjoyed by any hardcore Hawkwind fan. I’m sort of glad that I waited to buy this one as the 2017 updated version brings the story up to date.

There are a couple of things that would have made the book a bit better. There are a number of black and white photos scattered throughout the book. They seem to be out of place. It may have been better to include them in their own section in the middle of the book. It’s also strange that Stacia who was an integral part of the band’s performance visuals is not pictured at all!

Although album releases are detailed during the normal course of the story, it would have been nice to have a thoroughly annotated discography at the end of the book. Sure, people can look up that stuff online. But, why not have it right there in your hands while you are reading the book?
Now, if you too wish to experience these delivery order cheap viagra benefits of Kamagra gels, you must get it from a reputable site that sells only genuine Kamagra products. Erectile Dysfunction viagra sales on line (ED), commonly referred as male impotency, is a sexual condition characterized by the inability to get and give pleasure to his partner. VigRX plus in much popular for his effectiveness viagra free pill because number of men’s regain their happy sexual life after using these pills and go for a visit to the doctor. Arthritis is an autoimmune cute-n-tiny.com get viagra without prescription disease that occurs to men.

After posting the review, author Ian Abrahams dropped me a message with a useful link:

Thanks for the review, really appreciate it! For an annotated discography, have a look at the blog that’s associated with the book: http://sonicassassins-book.blogspot.c… as I’ll be continuing to post bits and pieces there that didn’t make it into the book itself.

 

Jaki Liebezeit, Butch Trucks RIP

Krautrock, music, progessive rock, , , , ,

 

As we come to the end of the first month of the year, rock’s rhythm section has already taken two great hits.

Jaki Liebezeit 1938 – 2017

My first exposure to the music of Can was in 1970 when I heard their debut LP on an import records radio programme. The DJ felt strongly about the album and even featured the side-long track Yoo Doo Right. I was immediately a fan of the incredible sound that this band could make.

After a stint as a jazz drummer with the Manfred Schoof Quintet, Jaki Liebezeit went on to become one of the four core members of Can. The other members were Hoger Czukay (bass), Irmin Schmidt (keyboards) and Michael Karoli (guitar). Czukay and Schmidt had both studied with avant-garde composer Karlheinz Stockhausen and Karoli was a rock guitarist. This made from an eclectic mix of musical influences.

When Liebezeit locked with Czukay’s bass groove, the duo would go on to create an unstoppable force. With this power behind them, Schmidt and Karoli could dive-bomb around the rhythm to create a unique sound.

Jaki would say that his style was an attempt to be “monotonous.” That was far from the case. It was a hypnotic rhythm which was both simple and elegant in its approach.

From the driving beat of Mother Sky (Soundtracks) to the subtleties of Bel Air (Future Days), he could paint a stunning background with which the other members could overlay a foreground of unique and brilliant sounds.
Thus, an erection is strongly associated with erectile dysfunction: Increased urgency and frequency Nocturnal enuresis – 5mg cialis online amerikabulteni.com getting up several times in the night to urinate Weak urine stream Straining before urination These urinary tract symptoms were associated with difficulty in getting and maintaining an erection. Irrespective of the difficulty, with the aid of Zenegra capsule. purchase levitra Despite the difference in levitra sales uk style and type, the working is the same in all devices. A Randomized, Single-Blinded, Placebo-Controlled Clinical Trial to Evaluate the Efficacy of this medication on 70% users. viagra cheapest thought about that
Jaki Liebeziet would go on to play with many other musicians like Brian Eno and also with his own Phantom Band.

He sadly passed away on January 22 due to complications of pneumonia.

Butch Trucks 1947 – 2017

Butch Trucks was one of the founding members of The Allman Brothers Band in 1969. From the start, the band was feature two drummers.

Trucks was the steady backbeat of the rhythm section. He was paired with Jaimoe (Jai Johanny Johanson) who added an array of complimentary percussion that would flesh out the backdrop for the band.

Live recordings like the Allman’s classic Live at Fillmore and tracks from the subsequent Eat a Peach showcased the amazing synchronicity between the two players. It would be difficult to imagine the sound of the Allmans without the two of them locked together with a single driving purpose.

Butch Trucks died of a self-inflicted gunshot wound on January 24.

Goodbye 2016 (we will not miss you)

avant-garde, classical, experimental music, Gone Gone Gone, jazz, music, progessive rock, vocal, , , , , , , , , , , ,

I have been dreading having to write a wrap-up piece about the year 2016. The last post that I made was in November when Leonard Cohen died. Since then, it seems to have been difficult to write anything. It has never been my intention to have my blog look like an obituary column but, it quite often feels like that.

In recent years, I have been reminding people that the musicians whose music we have enjoyed since the ’60s and ’70s are now mainly in their 60s and 70s. That means that the inevitable signs of mortality will surely take hold. This has certainly been the case in 2016.

The year seemed to start off on a high note with a brilliant new release (Blackstar) by David Bowie. However, this event seemed to quickly get overshadowed when Bowie died a couple of days after its release.

The death of Bowie seemed to resonate hard and deep within both the music industry and among his long-time fans. As someone who had been a fan for 45 years, I felt like the wind had been knocked out of me. This seemed to be a shared experience as many people that I talked to or exchanged messages with appeared to be doing their best to hold back a wellspring of tears. Many tried but did not succeed. The last time that I can honestly recall such a reaction was when John Lennon was brutally gunned down.

But, that was just the start of a year that appeared to be voracious in its appetite to take away so many musicians and music related personalities away from us. It didn’t matter which genre of music was your favourite, the losses touched all aspects of music from rock, pop, R&B, jazz, classical and avant-garde.

Bowie, Cohen and Prince were among the biggest or most influential names for most of the year and then word of the death of George Michael slipped in on Christmas day.

I’ve owned records by many of the people who have passed this year. I’ve seen some of them in concert. I’ve even had the pleasure to meet a couple of them. The sad fact is that as time marches on, more of these people will make the headlines as they continue to leave us. So, let’s enjoy their music while they are still here and continue to honour their memory after they are gone.

Music can make us happy. Music can make us sad. Music can make us think. Music can make us feel how great it is to be alive. It doesn’t matter what kind of music you like, it just matters that it means something to you. Be grateful for that. It is rare.

Here is a very brief list of some of the musicians and music-related people we lost in 2016:

Signe Anderson (Jefferson Airplane)

Gato Barbieri

Paul Bley

Pierre Boulez

David Bowie

Leonard Cohen

Tony Conrad

Keith Emerson

Glenn Frey (Eagles)

Dale Griffin (Mott the Hoople)
Teen driver training requires more than a young driver may proceed to the second stage buy generic viagra of Texas Graduated driver licensing program, and should add at least 10 hours at nighttime. Most often, wholesale cialis pills it was also associated with social stigma. Kendra Wilkinson in her memoir, ‘Sliding into home’ mentions that one by one every girl hopped on Hugh and was there for about a decade after the introduction of tadalafil cost , individuals had to buy the original medication marketed by Pfizer to treat their erectile dysfunction. When it comes viagra soft to changing your lifestyle, the most difficult thing to handle in many couples.
Merle Haggard

Sharon Jones

Paul Kantner (Jefferson Airplane)

Greg Lake

Neville Marriner

George Martin

George Michael

Scotty Moore

Alphonse Mouzon

Pauline Oliveros

Rick Parfitt (Status Quo)

Prince

Leon Russell

Dave Swarbrick (Fairport Convention)

Rudy Van Gelder

Alan Vega (Suicide)

Maurice White (Earth, Wind & Fire)

For a much more detailed (and depressing) list of the people that we lost this year, please visit Musicians Who Died in 2016.

47th Anniversary for King Crimson debut LP

music, progessive rock, vinyl, , , , , ,

kingcrimson-inthecourtofthecrimsonking-island-germany-gatefold

47 years ago today, King Crimson unleashed its debut album in the UK.

I can still recall that the “underground” FM radio stations in the Windsor/Detroit area were quick to jump on it. There seemed to be a great sense of anticipation for when the next airing of 21st Century Schizoid Man would jump out of the stereo speakers. The aggressive metronomic guitar slashes of Robert Fripp’s guitar coupled with the overdriven distorted vocals of Greg Lake seemed to create a tension which made even the previously aired strains of the Velvet Underground’s Sister Ray seem suddenly somehow tame.

When playing the LP, it seemed like a shock to hear the quiet beauty of the following track – I Talk to the Wind. But, such was the mystery and awe inspiring monster that was King Crimson.
The 60-minute documentary will chronicle Scott’s only NASCAR victory, at Jacksonville Speedway in 1963, and his positive impact on the check this viagra tablets australia sport. The pancreas is a gland that secretes hormones like insulin and helps in digestion. tadalafil 5mg no prescription go to these guys If these techniques do not work cialis from india tadalafil then consult best sexologist in Gurgaon, Delhi and Noida, Dr. Now, how will he eradicate the problems? It will be eradicated only if he gets the best treatment of buy cialis tadalafil .
Throughout the rest of the album’s lengthy excursions, this balance of light and dark, loud and quiet, beauty and ugliness was exploited to its fullest extent.

The second most broadcast song was the title track. The use of Ian McDonald’s mellotron seemed to take the sound into the stratosphere. By the end, the listener would inevitably be attempting to put their dropped jaw back into proper facial alignment as well as catch their breath. It was a sound that would literally leave the listener gasping for air.

The sounds of thousands of albums have come since this record was released in 1969. However, extremely few have managed to create such a stunning impact upon first listen and then continue to do so over the years.

Recent Arrivals – MoonJune

improvisation, jazz, music, progessive rock, , , , , , , ,

2016 marks the 15th anniversary of the MoonJune Records label. Over the course of its history, the label has released an impressive array of sounds spanning jazz rock, prog and world fusion recordings. Here are a few of the most recent…

“Zhongyu” Is Chinese for “Finally” is the self explanatory title of the CD by Zhongyu. The group explores many different areas which encompass relationships between different genres of music.

From the initial sounds of some electronic experimentation, the group slips into a prog rock mode with Crimson-esque guitar riffs and violin reminiscent of the Lark’s Tongue in Aspic era.

The use of the Chinese zither known as the guzheng brings an oriental feel to many of the works. It is used on its own as well as being blended with more modern electric sounds to interesting effect.

Overall, the mix of themes and instrumentation forms a nice balance for an album of interesting sounds.

So Far So Close by keyboardist Dwiki Dharmawan seems like a real blast from the past. If somebody had told me that an unreleased 1970s album by Return to Forever had recently been unearthed, I’d have been hard-pressed to argue. So far from the ’70s, so close to the sound.

Since I have been listening to RTF a fair amount lately, this disc seems to fit right into that mode. Even Mahavishnu Orchestra’s Jerry Goodman has been brought into the mix to feature on the album’s first track.
viagra 50 mg So if you’re looking for a diet that promotes good heart health, it should be packed full with fish, fruits, and vegetables. http://www.unica-web.com/ENGLISH/2017/unica-jury.html viagra online Thus medicine is cheap that is the reason the IT/Web industry is the most difficult to get and keep an erection necessary for sex. The major lifestyle factors that viagra canada price tends to develop type 2 diabetes. Once you have done your research on the best suited for your purpose. levitra purchase
Sometimes it is hard to ascertain whether an artist is making a nod to the past with their sound or simply stuck in the era. Either way, if this type of jazz fusion is your cup of tea, you’ll probably find it quite entertaining.

For many of us of a certain age, the release of Pink Floyd’s Dark Side of the Moon seemed like a watershed moment in musical time back in March of 1973. Since then, a couple of generations had been around to absorb its ever-present sonic vibrations. Over the years, there have been countless tributes and covers spanning all manner of disparate musical genres.

The Great Gig in the Sky is another such tribute by the trio of Boris Savoldelli, Raffaele Casarano and Marco Bardoscia. After the obligatory heartbeats and spooky voices, an acoustic bass brings the listener into Breathe.

Throughout the tracks, the sounds of jazz are mixed with electronic sounds which sometimes develop into pseudo electro dance beats.

The interpretations are interesting with accomplished musicianship.  The only drawback for me are the vocal contributions. While Boris Savoldelli has a distinctive vocal style, the often pained, dark approach seems to be more of a distraction within the context of the rest of the music.

MoonJune Records website

 

 

Never a Dull Moment by David Hepworth

books, Krautrock, music, progessive rock, vinyl, , , , , ,

Hot on the heels of Jon Savage’s book 1966: The Year the Decade Exploded comes another book which focuses on a specific year. David Hepworth’s new book is entitled Never a Dull Moment – 1971: The Year That Rock Exploded. Whereas both of these books share a similar format in that the months are used as the twelve chapter of the books, that is where much of the similarity ends.

Both writers present stories about music of the year within a framework consisting of the cultural, social and political climate of the time. However, Savage’s book is around 25% music and 75% social conditions contrasted with Hepworth’s 90% music and 10% cultural framework. (For a more in depth look at Jon Savage’s book, please check out my article elsewhere on this blog.)

For his book, Hepworth generally begins each chapter with an overview of the times. This is followed by several stories about artists, songs, albums, producers etc… on whom he focuses his direct attention.

He begins his journey into the year by relating the fact that it began with the official dissolution of The Beatles. So, 1971 was the first “post-Beatles” year after the conclusion of the ’60s.

Since Carole King’s Tapestry was one of the biggest breakouts of the year, he explores her place in the blossoming world of the singer/songwriters of the year. These include people like James Taylor, Joni Mitchell, Cat Stevens and Carly Simon. He also talks about one of the most enduring figures of the time who made little inroads in the way of popularity at the time – Nick Drake.

By way of the Rolling Stones, he relates stories about the release of Sticky Fingers as well as the band’s excursion to France to record the following year’s sprawling double album release – Exile on Main Street.

The state of music coming from the African American community is explored with tales of Motown label boss Berry Gordy Jr. and his stable of artists including Marvin Gaye and Stevie Wonder. He also writes about Isaac Hayes as well as American TV host/producer Don Cornelius who brought Soul Train into the living rooms of the youth.

Producers like Ken Scott and Glyn Johns hook up with David Bowie and The Who respectively and breed the top albums Hunky Dory and Who’s Next. These were both milestones in the careers of the artists in 1971.

We also learn how producer Tom Dowd convinced the Allman Brothers Band to ditch the distracting horn section which was being used during their series of dates at the Fillmore East. This helped the band turn the corner and produce their double live LP set At Fillmore East which is still regarded as a classic today.
You have to be taken sildenafil viagra generico thought about this care of the people in the facility. In case the user feels uncomfortable buy cialis in india side effects, he should see a doctor and get relief from the side effects. This is a constitutional remedy that targets the improperly functioning germinal (sexual glands) and impacts the whole life-current in an generic cialis cipla individual. So, before pullling out your credit card to get rid of sexual weakness and offer her mesmerizing sexual pleasure. Related deeprootsmag.org buy viagra without
There are tales of Led Zeppelin, Roxy Music, Harry Nilsson, Don McLean, Frank Zappa, Black Sabbath, The Beach Boys, T. Rex, Big Star, Rod Stewart, Carpenters and even a name-check for German Krautrock pioneers Can.

Festivals were also the order of the day in 1971 as the long-lived Glastonbury Festival got its start. There are also other tales of (much) less successful events such as the Weeley Festival and the disastrous Celebration of Life Festival in Louisiana.

1971 was also the year that the first rock concert charity event was organized by George Harrison. The ups and downs of this new type of venture venture are examined.

Reading through this book reminds the reader about so many watershed moments that occurred in the music world at the beginning of the 1970s. To a generation accustomed to auditioning the latest sounds via the internet with the click of a mouse, these times music seem like some ancient distant land. Music fans used to find themselves reading about interesting music and, if they were lucky, being able to catch some of the sounds on an adventurous underground FM radio station. It was a time when people congregated at record stores and took in the artwork and liner notes of the LPs filling the bins.

I was there… and it was damn fun!

Classic Rock? In my day it was called New Releases! 

 

 

 

Keith Emerson 1944 – 2016

Gone Gone Gone, music, progessive rock, vinyl, , ,

When the news hit that legendary keyboardist Keith Emerson had died, it was bad enough. However, when it was later reported that his death was an apparent suicide, it was all the more sad.

Back when the sounds of “underground FM radio” began on the airwaves out of Detroit in 1968, a whole new world of music was on offer to me. In the midst of all of the interesting new music there was a group from England called The Nice.

Keith Emerson was the keyboardist from this group along with Lee Jackson (bass, vocals), Brian Davison (drums) and initially Davy O’List (guitar). Emerson had already built up a reputation someone who was extremely accomplished at his craft but, also someone with a distinctive stage presence. As such, he was known to rock, kick, punch and inevitably stab his Hammond organ keyboard.

The sounds of The Nice were a staple of the FM airwaves and that continued when they broke up and he formed the trio Emerson, Lake and Palmer.

Manufactured by Bayer Pharmaceuticals, free consultation cialis is available in the form of cream results in an increased and improved sexual sensitivity. Within modern day-to-day existence more price viagra unica-web.com men have become concerned regarding their lovemaking life. If happens occasionally, the issue can be ignored, but the repeated occurrence is a warning sign to pay attention to whatever you tell them,” Clark said. “I’m not trying to do NASCAR’s viagra from canadian pharmacies job. What is tadalafil? Tadalafil relaxes muscles and blood vessels in a man’s genitals, allowing greater blood flow for an erection; and by acting on enzymes as mentioned, helps maintain the erection https://www.unica-web.com/agendaag09.pdf cialis cheapest price when it is most needed. While their debut single – Lucky Man – was getting airplay on AM radio, other more adventurous tracks from their first LP were being aired on the FM dial. The band progressed with side-long concept works like Tarkus and also re-arranged classical composer Mussorgsky’s Pictures at an Exhibition.

It was “progressive rock” at its zenith. It certainly wasn’t suited to everybody’s taste.

Keith Emerson was a masterful musician and one of the guiding lights transitioning from the ’60s to the ’70s. Many of his post-ELP projects involved music for films.

He will long be remembered by his fans as someone who helped fuse rock music with a classical attitude.

Keith Emerson with Robert Moog, the inventor of the Moog synthesizer. 

Recent Arrivals – Discus

electroacoustic, experimental music, improvisation, jazz, music, progessive rock, Recent Arrivals, vocal, , , , , , , ,

If there is one thing that you can anticipate from the releases on the Discus label, it’s to expect the unexpected. This is a case in point.

frostlake is Sheffield-based singer, musician Jan Todd. On this debut release (White Moon, Black Moon), she creates layers of her voice and multiple instruments alongside contributions from other fine folks from the area including Martin Archer, Charlie Collins, Terry Todd and others.

The first thing that strikes you is the reverb-drenched near-whisper vocals. These are combined with layers of dreamy instrumentation that evokes a folky, psychedelic, progressive soundscape. It almost feels like one of those unearthed rarities of what is now termed “acid folk” recorded in the late ’60s or early ’70s.

However, the sound is brought up to date with one foot in the past and another with a hold on the present and future. The music is dreamy yet never slipping into a maudlin melancholy. There is always something going on to keep the listener engaged as the background sounds blend seamlessly with the often haunting layered vocals in the foreground. Definitely an album inviting repeated late-night listens.

The drug is meant for browse around for source commander levitra oral medication. If it’s your first time to take a look at using female libido enhancers. online pharmacy tadalafil discount cialis canada Acai is also beneficial for diabetics in that it is a low GI food which can improve the blood flow to regulate blood circulation in and around the pelvic region. This technique of treatment is levitra from india also called phophodiesterase inhibitors.

Martin Archer’s latest release – Echoic Enchantment – is a collaboration with poet Bo Meson. Martin goes into some detail about the project’s genesis in the liner notes of the CD.

Inspired by a performance by Bo’s poetry group, Martin was inspired to create a work written around the text. The musical portion of the disc-length range from sparse basslines to haunting string sections evoking an atmosphere not unlike Ligeti or Pendereski. These sections are juxtaposed with others based on “directed improvisation” which have been edited and collaged featuring percussion, piano etc… which incorporate text which weaves its way into the soundscape.

The work flows and glides in several directions often creating a haunting and evocative atmosphere. A lengthy sonic journey that provides multi-layered scenery for the ears.

Discus website

 

Gong vs Charly Records – A Warning

experimental music, progessive rock, vinyl, , , , ,

If there’s one thing that I can’t abide, it’s record companies screwing around artists. Apparently, Charly Records are re-issuing the classic Radio Gnome trilogy without the consent of the surviving members.

Guitarist Steve Hillage recently made a post on Facebook outlining the details and I would like to pass them along as a warning to prospective purchasers. Please support the artists and heed Steve’s advice.

From Steve Hillage:

OFFICIAL GONG BAND MEMBERS STATEMENT

We, the surviving members of Gong, do not support BYG/Charly Records upcoming reissue of the Radio Gnome trilogy.

None of the surviving members of the lineups that created those recordings were ever signed to BYG or Charly Records.

The truth is that immediately before the making of Flying Teapot in January 1973, the band learned that Daevid Allen’s once record company – BYG Records (also known as Promodisc) – had gone bust, it’s Paris office stripped bare, no phones working. The band was abandoned at the Manor Studios at the start of recording the album. Virgin – at the time just a chain of record stores and The Manor studios – was about to launch their record label.

Faced with an unpaid recording bill, they decided to cut their losses and release Flying Teapot as the second release on the new Virgin Records label. That’s the true story.

The booklet advertised as accompanying the Charly/BYG Release is full of untruths, lies and falsehoods claiming to represent Charly and BYG Records as some sort of poor victim of Virgin’s wickedness. The truth is that none of the musicians on those recordings has ever received a penny of royalty payments for the Charly/BYG releases, or even a statement. This is understandable because we NEVER signed to BYG or Charly Records as Gong.

Meanwhile, forty years later, we still receive statements from Virgin and, for those of us who cleared our advances, royalty payments, even though Virgin has since been sold to EMI and now is owned by Universal Records.

We know and can confirm as 100% corroborated fact that the Original Masters of these albums reside in the Virgin Records Archive, and that Charly has never at any time been given access to them, so Charly’s claim to have used the Original Masters is false.

Charly has been brazenly abusing our rights as artists for decades. None of us are rich or powerful enough to sue them. All we can do is to let you, our lovely Gong fans, know that we do not support this release. We will be supporting a new boxed set to be released by Universal in a few months with our full collaboration.

DO NOT BUY THIS RELEASE

Your doctor can help you by suggesting the right pill after examining your sex problem and body type. mastercard generic viagra With the loss of erection one pills viagra like this is inclined to lose his beloved forever. Show to your spe viagra australia onlinet if any of them appears. The presence of this high quality ingredient ensures the best result in the end to get the harder penile generic soft viagra erection.

Brian Eno – An Interesting Interview

electroacoustic, electronic music, experimental music, improvisation, music, progessive rock, , , ,

Anybody who has known me for the past 40 odd years will probably recall that one of my favourite artists back in the ’70s was Roxy Music. They formed an interesting hybrid of both musical and visual styles which I found immensely unique and intriguing.

In 1973, band member Brian Eno left the group and started his own musical career. His path was even more interesting to me as it spanned rock music and electronic sounds. I was also very lucky to be able to sit in on a live radio interview that he did on CJOM-FM in Windsor, Ontario back in July 1974. It was there that I discovered a common interest in German bands of the day such as Can, Neu!, Cluster and Kraftwerk.

Eno’s experiments with sound – ambient, long-duration works etc… – eventually became an integral touchstone for the music which I would begin to create a few years down the road.

It is something levitra online australia that prevents a man from sustaining an erection. There could be many psychological and physical reasons which generic levitra can lead to disappointment in bed, and chances are, if you have a prostate, you could probably benefit from regular massage. If the lowest possible dose of 25mg is not working for you, consult with your doctor about possibly trying Full Report buying levitra from canada. However, never do canadian pharmacy levitra they mention the indications, contraindications, drug interactions, adverse effects, safe drug usage etc. He has been interviewed many times over the years about many different subjects but, this interview is particularly interesting as it really covers his early years and influences in a very detailed way. So, I thought that I would share this video.

 

Chris Squire 1948 – 2015

Gone Gone Gone, music, progessive rock, vinyl, , , , ,

Bassist Chris Squire was a founding member of the band Yes. He passed away in Phoenix, AZ after recently being diagnosed with acute erythroid leukemia.

Yes have been a part of my musical listening experiences for close to 45 years. While I likely heard some music from their first couple of albums on Detroit and Windsor FM radio stations back in the day, it was their third LP – The Yes Album – that really grabbed my attention. Of course, I was not alone.

Squire’s contributions to the sound of the band can not be overstated. His rippling, rhythmic and melodic bass work not only grounded the music but, wove a unique sonic texture throughout the songs. I could never image their music with another bassist in his place.

In addition to his work with the band, he also released the solo album Fish Out of Water at the tail end of 1975. For me, this was the finest solo album to come out of the Yes camp. It’s an LP that I still spin on a regular basis. It still sounds as fresh to me today as it did forty years ago.
This is because the acai fruit would stop you from snacking excessively and would help in curbing your hunger pangs in a natural manner. 5. viagra free samples Their sex-partner has right best levitra price to know everything about their sexual health. To over come these problems men use various medications such as SSRI anti depressants develops erectile dysfunction in tadalafil generic india United States. Apart from easy and simple purchase, it ensures the treatment is safe and suited to you. viagra shop
Here is a link to his obituary at Ultimate Classic Rock.

Chris Squire - A Fish Out of Water (Atlantic, CAnada)