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Isolation Reading: Fiction

Isolation can be fine when you have some good reading material

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Over the years, the bulk of my reading has been non-fiction books. These have mainly been art-related books with a heavy emphasis on music. It’s really not been until recent years that I have gotten into the habit of reading fiction to any extent. In fact, fiction has made of about three quarters of my reading for the past few years as I play catch-up with a lot of interesting stuff.

Cosmopolis by Don DeLillo. This is the story of Eric Packer who is a financial industry billionaire living in New York City. Eric simply wants to go out to get a haircut. So, he gets into his limousine and heads across Manhattan. But, the trip is not so straight-forward. Along the way, he hops out of the limo for various interactions. Other times, he is stuck in traffic while at the same time dealing with others who have jumped into the car for meetings of different natures. Often hilarious and sometimes a bit frightening. Always involving.

Infinite Jest by David Foster Wallace. I first read this book three years ago. Since that time, seeing it on my bookshelf has often beckoned me to re-read it. I finally decided that now was the time.

For some reason, this book seems to have a reputation of being a difficult read. It seems to wind up on lists mentioning the likes of Gravity’s Rainbow and Ulysses. But, other that being a very long book, it really isn’t a particularly difficult book to get into.

The three main plots involved include a tennis academy for young people, the residents of a rehab house and the search for an illusive media called the Entertainment. As the story unfolds, the three plots are seen to intersect at various junctions.

Probably the aspect of the book that is most at the forefront is the detail. Wallace is one to stack detail upon detail upon detail. It often makes for very dense passages of text. And there is another aspect of the book that also makes it even more dense. End-notes. At the back of the book there are nearly 100 pages of notes regarding the main text. The reader is expected to pause their reading and flip to the back of the book in order to discover the subtext involved as they hit the number of an end-note. And I highly recommend getting involved in the practice – at least the first time you read it – as it often does lead to a deeper understanding of what is happening (although some seem a bit superfluous).

Stick to it and you will find yourself with a highly rewarding reading experience. It’s just as good the second time around, as well.

Ulysses by James Joyce. OK. Now, this truly is a difficult one. It certainly makes Infinite Jest seem like a walk in the park. Ulysses has a reputation of being one of the landmarks of twentieth century literature. It also has the reputation of being a notoriously difficult book to read. Correct on both counts.

I recently picked up the Dover reprint of the 1922 version of this book. It has undergone several revisions in succeeding years but, this was the way that it was first published (in a form corrected by Joyce).

It is basically the story of an advertising salesman called Leopold Bloom. The entire volume covers twenty-four hours of his life. During this time, he meets up with friends, goes to a funeral, goes out to drink and dine and other seeming mundane activities. All the while, he does his best to stay away from home as he knows that his wife is having an affair.

While the book seems to start as a fairly straight-forward read, Joyce changes styles quite drastically from section to section. There are sections that read like a play and other parts which unfold as a dense run-on sentence.

Often perplexing, it is worth the effort to soldier on. I can’t say that it is an easy task to make it through to the end. But, I certainly did find it an intriguing read.

The King by Donald Barthelme. What seems to start out as a fairly normal tale of King Arthur eventually starts to take a turn in an unexpected direction. This comes when the characters start making references to photographs printed in the newspaper and listening to speeches by Winston Churchill on the radio.

For some reason, King Arthur and the others have found themselves living in England during the second world war. It’s best to just go with the flow and see how things progress. A very amusing read.

The Yips by Nicola Barker. I first became aware of the author from a Guardian article last year. It made me curious to check out her work. This was the first book that I found. The story mainly revolves around the golfer Stuart Ransom. His life – professionally, financially and personally – is on a downward spiral. His encounters with such characters as a female priest and puzzling barmaid take his life into often comic turns.

Despite the book’s length, the rapid unfolding of the various story elements seem to make the book whip by at an accelerated pace. Very enjoyable, indeed.

The Secret Diary of Adrian Mole Aged 13 3/4 by Sue Townsend. Adrian Mole has just entered his teenage years and like most people of that age is finding the going a bit rough. He’s a self-proclaimed intellectual and he seems to attribute that fact as to why he has a difficult time relating to other people.

Adrian’s daily journal entries follow his relationship with his parents, girlfriend and others involved in his life on a daily basis. It’s apparently not an easy life for Adrian and this leads to countless chuckles and many laugh-out-loud moments. It reads like a modern day take on the classic British book The Diary of a Nobody by George and Weedon Grossmith from the 1890s (which is still in print and highly recommended!). A great read for some comic relief… especially in difficult times.

Isolation Reading: Music Books



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During the current days of isolation, many people have taken to reading as a way to while away the time. Personally, I’ve pretty well always got a book on the go. According to my info on Goodreads, I read over 70 books last year. At the moment, I’m at the two dozen mark for 2020.

At this point, I thought that I’d share some of things that I’ve read so far this year. In this post, I’ll cover some of the music-related books.

Jaki Liebezet: The Life, Theory and Practice of a Master Drummer – Jono Podmore (editor). As a fan of the German group Can since I heard their first album (Monster Movie) on an import records radio programme in 1970, I was very pleased to learn of this new book on their incredible drummer.

This volume is bookended with a concise biography and a massive discography. But, the meat-and-potatoes of the book centres around the rhythm system of drumming known as dot-dash. Since this part of the book makes up about half of the content, this is where the value of the book will vary from reader to reader. Despite the fact that my own compositional work rarely deals with percussion or rhythm, I still found this section very interesting.

For me, one of the highlights of the book is the exhaustive discography which covers every release from his jazz beginnings through his work with Can and the last chapter of his life with Club Off Chaos.

Overall, I found this book to be a very engaging read. But, I’m not sure how it will appeal to people who are not interested in all of the technical information presented here.

The Life of Curtis Mayfield: Traveling Soul by Todd Mayfield with Travis Atria. The re-release of Curtis Mayfield’s first four LPs as a box set last year got me to wonder if there was a biography out there. Sure enough, I discovered this book by his son Todd.

The book covers his humble beginnings towards a successful career as a member of the Impressions and subsequent journey into his solo work. It reveals him to be a man focused on his music and also someone who was driven to retain the rights to everything he was involved with. It also shows how this drive could often lead to conflict in both this personal and professional life.

It is a thoroughly researched and well presented portrait of one of the most important figures to ever emerge from the American music scene.

Not Dead Yet by Phil Collins. Despite the fact that I have been a Genesis fan since the early ’70s, this book was not particularly high on my list to read. But, I stumbled across an advance uncorrected proof at a thrift shop and picked it up. I’m glad that I did as it proved to be a quite enjoyable read.

Collins covers his entire history from his early years as a child actor to his work with Genesis, his solo career and eventual situation of alcoholism and illness. It’s a warts-and-all account of both is successes where he does not shy from accounts of pitfalls and personal failures. A quick and enjoyable read.

Little Girl Blue: The Life of Karen Carpenter by Randy L. Schmidt. Whether you were a fan of soft rock in the ’70s or not, everybody seemed to agree that Karen Carpenter was a singular voice in the music world at the time. I can still recall buying the Carpenters self-titled LP on the same day as Paranoid by Black Sabbath. Both held appeal to me for different reasons.

While others had attempted to write a biography of Karen Carpenter in the past, the hyper-protective nature of her family always resulted in a dead end. Fortunately, this was not the case for Schmidt. He was able to finally dig beyond the surface in order to get to the roots of her life.

Of course, it was a life of tremendous success on the surface but, he manages to dig deep into a personal life which was far from perfect. It’s a touching portrait that shows the sad physical decline of Carpenter leading to her eventual death from complications related to anorexia. In the end, it’s a story that will no doubt be of interest to the fans of one of the most distinctive voices in popular music.

Thomas Pynchon to receive $100,000 arts award

Although I own several hundred books, I’ve mainly been a reader of non-fiction works (music, art, film etc…).  So, last year I decided to make a concerted effort to expand my fiction reading horizons.

One of the authors whose work I had enjoyed in the past was Thomas Pynchon. In the late ’70s and early ’80s I read his debut novel V. and the follow-up The Crying of Lot 49. Like many other people, I made and attempt to read his classic volume Gravity’s Rainbow but, ended up putting it back on the shelf with a bookmark still in it.

After re-reading The Crying of Lot 49, I decided to once again tackle Gravity’s Rainbow. This time I did manage to complete it while both enjoying it and being perplexed. That set me on the road to read even more of his work.

Having recently completed his epic (1,200 pages) Against the Day, I have read six of his eight novels (only Vineland and Mason & Dixon to go). I’ve also read his collection of short stories called Slow Learner.

While many of his works are definitely challenging, they do reward the reader for their efforts.
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So, I was quite pleased when the Washington Post published a story on March 20 that Pynchon was to be awarded $100,000 by the American Academy of Arts and Letters.

Of course, Thomas Pynchon is well known for not being known. That is… he is never photographed, interviewed or available for any type of affair normally attributed to an author hawking his wares.

It’s not expected that Pynchon will make any effort to collect his award in person. In 1973, he sent Professor Irwin Corey to accept the National Book Award in his absence. It will be interesting to see if he attempts a similar gesture this time around.

 

Cosey’s Tale

Cosey Fanni Tutti – art sex music (Faber)

Many people may know Cosey from her work with Throbbing Gristle or Chris & Cosey. But, the story that led up to that point (and beyond) is certainly a tale worth exploring.

In her new autobiography, Cosey details her formative years growing up in Hull on the east coast of England. Hers was a working class background which found her wanting to branch out and explore the arts and music. Her home life was eventually shattered when her strict father kicked her out. While she would still carry on a (fairly covert) relationship with her mother as well as her sister, she found herself dealing with the world on her own.

Eventually, she would connect with a man who was known as Genesis P-Orridge. The partnership became both personal and artistic as they created a body of performance works under the moniker of COUM.

COUM was a loose group of artists from various backgrounds who came and went leaving Cosey and Gen as the main constants of the organization. Through various performances or “actions,” COUM’s profile began to rise… not always from a “positive” response.

They pushed the boundaries of society’s accepted norms and managed to stir up a lot of outrage in the process.

Cosey also had her own ideas for actions and projects related to getting involved in the sex industry. This was done via nude modelling, stripping and films. I was her way of creating a portfolio which could then be used in her future actions and art.

Along the way, one of the others who would become involved was Chris Carter who was keen to add his knowledge of electronics to the group and bring their works into a more “musical” direction. Chris would also serve as the person with whom Cosey would eventually pair up with and leave the possessive/abusive clutches of Gen.

When Peter “Sleazy” Christopherson entered the picture, the bones of Throbbing Gristle would soon come to fruition. Cosey, Chris, Gen and Sleazy decided that the direction to go was a full-on sonic assault on the senses.

Keep your doctor updated with the possible results or changes in after the intake of levitra 10 mg appalachianmagazine.com. An interesting study has shown that bodybuilders taking drug components to boost their performances. levitra prices canada More Product Information Pharmacies are often cialis cheapest busy and aren’t always able to provide their customers with any negative results. We recommend that you gulp absolute http://appalachianmagazine.com/2019/10/02/the-time-georgia-north-carolina-went-to-war-with-each-other/ viagra overnight shipping & entire precise details on gulping of each pill; you find the right products for losing weight here. TG certainly did leave their mark along the way. They created the Industrial Records label as the outlet for their sound-works and performed many gigs which would leave ears ringing for days.

Their time together as a quartet may have been relatively short but, they became known as the pioneers of Industrial music.

Upon the breakup of TG, Chris and Cosey began their own musical work together. They recorded many LPs and performed worldwide. (A personal side-note: I brought Chris and Cosey to Canada in 1985 to perform a half dozen shows across the country.)

As Chris and Cosey made music, Gen formed Psychic TV and Sleazy the band Coil. But, the TG legend continued to build over the years and offers to re-form began to happen. The harrowing details of these gigs are related in brutal detail with Gen becoming an eternal antagonist in the situation.

In recent years, the reputation of Chris and Cosey’s duo work lead to a vinyl re-issue campaign which saw their work appreciated by a new generation of music fans. At the time, they had adopted the Carter Tutti name and would do performances billed as Carter Tutti Play Chris and Cosey.

In addition to the music and art, Cosey relates a number of scary health related incidents involving herself, Chris and their son Nick.

The stories in this book are related with a direct honesty which often can make the reader run through an amusement park ride of emotions. Not the least anger and frustration at some of the details of events.

It’s an inspiring read, to say the least.

Chris Meloche with Cosey Fanni Tutti, Sandringham House, England, 1986. Photo: Chris Carter.

Future Days by David Stubbs

FutureDays-book

Subtitled “Krautrock and the Building of Modern Germany” this book takes the reader on a journey through the heady days of the German experimental music scene from the late sixties into the seventies.

Stubbs begins with a lengthy prologue which traces the social developments of the country through the 20th century. This is done to provide a perspective on what was to come after the Second World War.

After he has established the state of the minds of the German youth through the sixties, he then relates the stories behind the major groups who began creating experimental music.

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He finishes by discussing newer music as well as the influence of the German music on specific musicians (David Bowie) and musical scenes (post punk).

For those not intimately familiar with this music, it may serve as a good introduction to stir up some curiosity. For those of us who are already quite well-versed in the genre, there are still some facts that are revealed that may be new to us.