Tag Archives: British folk

Isolation Viewing: British Folk & Folk-Rock

When I hear a mention of British folk and folk-rock, a few names immediately pop into my head. Top of the list is usually Fairport Convention. That’s quickly followed by the likes of Pentangle, John Martyn and Michael Chapman.

So, I’ve collected a few clips together here that give a representation of all of those people.

Many people associate Sandy Denny with Fairport Convention as she was their on-again / off-again vocalist for a few years. Only a couple of minutes of the band exist with her on vocals. So, I’ve included a nice clip of Sandy with her short-lived band Fotheringay.

Here is a very early performance of Fairport Convention on French TV in 1968. It includes original vocalists Judy Dyble and Ian Matthews. Also, a very young Richard Thompson on guitar.

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Another early performance of Fairport Convention in 1970.

A rare short clip of Sandy Denny with the band from 1975.

Sandy with Fotheringay on the German TV program Beat Club in 1970.

A very early broadcast of (The) Pentangle on Norwegian in 1968.

(The) Pentangle live on BBC TV in 1970.

A John Martyn performance from 1978.

Michael Chapman is still active today. Here he is in 1970.

And again in 1975.

Enjoy!

Sandy Denny: Remembered Again

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Sandy Denny was one of the richest voices to come out of the British music scene during the 1960s and ’70s. She was a person who was much admired and respected within her area of folk and folk-rock music. Unfortunately, at the time of her death in 1978 at the age of 31, the promise of her hard work seemed to never be fully realized.

Mick Houghton’s new book about the late British singer brings together impressive amounts of information which help to gain an insight into the events which shaped her path through her musical career.

Many surviving members of her inner circle of friends and fellow performers have been interviewed to provide an insight into her rise and fall. These include people like Richard and Linda Thompson, Al Stewart, Ralph McTell, John Renbourn and members of Fairport Convention. Archival interviews with many other people including her late parents are also mined for extra depth into her character.

Denny began singing in folk clubs when just barely into her mid-teens. She sang what were called floor spots. These were performances by young hopefuls whereby they could sing and play a few songs without having yet achieved the status of being a credited performer on the main stage. Eventually, she did move onto that stage where she succeeded in attracting the attention of the audience and other folk musicians.

The story traces her first recordings with other musicians such as Alex Campbell and Johnny Silvo to her move to join the Strawbs with Dave Cousins. Of course, the thing that may be of most interest to many people was her joining Fairport Convention as a replacement for singer Judy Dyble.

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Houghton artfully weaves the story dealing with Denny’s involvement with Fairport Convention, her departure to start her group Fotheringay and her time as a solo recording artist.

Her personal life and relationships are also covered in great detail. Both that personal life and her musical life were often victims to her own emotional ups and downs. Bouts of insecurity often seemed to derail her attempts to keep things both musical and personal on a steady track. The addition of heavy drinking and cocaine use also served to keep things off a productive path.

I’ve Always Kept a Unicorn (a line from Denny’s song entitled Solo) is a well documented and well paced book which helps to put Sandy Denny’s life and career into perspective nearly forty years after her death from a fall down the stairs.

This is essential reading for any fan of British folk music from that era.

(I’ve Always Kept a Unicorn by Mick Houghton is published by Faber & Faber, London) 

Essential Sounds – John Martyn

John Martyn (1948 – 2009) was one of the stand-out artists on the British folk / folk-rock scene for many years. Over that time, he produced a number of wonderful albums which varied from straight-ahead folk to folk infused with jazz elements.

He also pioneered the use of the acoustic guitar along with a number of electronic effects like delay and reverb which produced a unique sound.

For many people, Martyn’s 1973 LP entitled Solid Air is regarded as his classic release. The title track was written about his friend Nick Drake and its fluid bass and shimmering keyboards provide a superb backdrop to his acoustic guitar and sultry slurring vocal lines.

Martyn also has occasion to get a bit rocky with I’d Rather Be the Devil. It contrasts with more gentle folky numbers like Over the Hill and May You Never.

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Pictured below is a UK pressing of the album dating from around 1976.

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John Renbourn (1944 – 2015)

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In 2015, we lost another one of my favourite musicians. John Renbourn was probably best known as one of the founding members of the band Pentangle (along with Bert Jansh, Danny Thompson, Jacqui McShee and Terry Cox). Together, they created a wonderful addition to the growing folk-rock genre happening in England in the late ’60s into the ’70s.

I saw John Renbourn in concert three times over the years. The first two times were as a solo artist but, the last time (2005) he brought along the wonderful Jacqui McShee to sing. It was a magical night as they performed many familiar numbers (many of which are included on the live LP in the double album set Sweet Child).

After that concert, I was lucky enough to chat with both John and Jacqui. They also signed a few Pentangle LPs for me.

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