Leeds based filmmaker Michelle Heighway is currently five years into the process of making a documentary about singer Damo Suzuki.
Suzuki came to the attention of most people for his creative contributions to the music of the German progressive rock band Can in the early 1970s. Since his departure from the group, he has continued to record and perform live around the globe.
His 2019 autobiography (done in collaboration with Paul Woods) shed light onto the incredible journey he has taken over the past 50+ years.
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But, it’s now time to get Damo’s story onto the screens of the world and that is what Michelle Heighway intends to do. At the moment, she is trying to tie up a lot of the loose ends which will bring the story to life. That includes licensing the rights to the music, photos and film footage to be featured as well as many other nuts and bolts aspects of post-production and distribution.
In order to accomplish this final stage of the process, there is currently an INDIEGOGO fund raising campaign in the works. At the time of this writing, the project has gained about a third of the £10,000 goal.
Whether or not you are still feeling the isolation blues, it’s always nice to have something to watch. Especially in the way of interesting musical clips.
I sometimes scour youtube in search of enticing tidbits in the way of music. I quite often discover some quite interesting stuff.
Back in the ’70s, progressive music from Germany started to make inroads outside of the country and the British music press soon latched onto it giving it the name Krautrock. Some of the names which soon became familiar were Can, Amon Duul II, Kraftwerk, Cluster, Tangerine Dream and Neu! to name but a few.
Here are a few clips which I’ve collected for your viewing pleasure.
Kraftwerk on the German TV programme Beat Club ca. 1971. What is interesting here is that it is Florian Schneider accompanied by Michael Rother and Klaus Dinger who would later go on to be known as the duo Neu!
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Here is another German TV clip for 1971 featuring Ralf and Florian with Wolfgang Flur on his freshly built electronic drum set.
Now, here is Can ca. 1970 on the German programme Rockpalast. Nearly an hour and a half. The Damo Suzuki era.
A wonderful documentary which covers the band’s career. Another hour and a half of Can bliss.
Here is a groovy set by Amon Duul II from Beat Club in 1970.
A compilation of Amon Duul II material spanning 1969 to 1975. Over two hours!
Here is a very unique clip of Tangerine Dream live in Berlin, 1969. This was before they acquired synthesisers and were a psychedelic, freak-out group. Edgar Froese, guitar. Klaus Schulze, drums. “Happy” Dieter, bass (according to the video notes).
The legendary performance of Tangerine Dream at Coventry Cathedral in 1975.
Rob Young & Irmin Schmidt – All Gates Open (Faber & Faber, 2018)
When the FM airwaves started to emit the sounds of “underground radio” in the late 1960s, a whole new world of music began to open. WABX was the first such station to enter this area in Detroit in 1968. A short while later, CJOM hit the airwaves on my side of the border in Windsor, Ontario.
One of the most interesting things to appear were programmes which features “import” records. Suddenly, people were able to hear music which was not even available on domestic labels. These LPs often never got released in North America.
It was on one episode of these broadcasts that I first experienced the music of Can. It was 1970 and Monster Movie had just been issued in Germany (and the UK). The disc jockey talked about the band and even before he started playing the record, you knew that you were in for something special. I vividly recall his playing Father Cannot Yell and Outside My Door followed by the side-long epic Yoo Doo Right. From that moment, I knew that I would be a fan of this band.
Unfortunately, import records were few and far between at my local shops and it would be a while before I had my own copy of this record. My first purchase was their album Ege Bamyasi which was closely followed by Future Days. At that point, import LPs were starting to become easier to obtain and I was able to get copies of Monster Movie, Soundtracks and Tago Mago.
I kept following their work through articles in magazines like Melody Maker and was able to keep up with their LP releases from that point.
Over the years, there have been a couple of books published about the band. The Can Book by Pacal Bussy and Andy Hall was an essential purchase for any self -respecting Can fan. There was also another book which was available as part of the Can Box (book, VHS video and 2 CD set of live recordings). Those, however, were mainly a mild warm-for this new volume.
All Gates Open is actually two books in one. The first two thirds feature Rob Young’s details of the individual members’ lives and their subsequent collaboration in one of Germany’s most revered and respected bands.
The final portion of the book belongs to found member Irmin Schmidt. This section is decidedly different to Rob Young’s writings.
From Young, we get a flavour of the times in Europe when the various members of the band were growing up. The four core members of the group all came from quite diverse backgrounds. Irmin Schmidt was making his name as an orchestra conductor. Holger Czukay was fascinated with all things electric including radios. Jaki Leibeziet was a jazz drummer who had worked his way into free jazz with Manfred Schoof. Michael Karoli was some ten years younger than the others with a more rock vision in his guitar playing.
The only things that any of the members really had in common was that both Schmidt and Czukay had both studied with the legendary German composer Karlheinz Stockhausen. This brings on decrease left abdominal pain which should be considered an advertising medium and, having said that, accept that some of the online companies may take a lump sum from the customers and do not provide any medicine or low quality less working cheap online viagra. Diabetes damages nerves and blood vessels, which control erection. viagra tabs The cost of generic medications viagra for sale mastercard is generally less than 50 % of the price of branded medications. A good and complete multivitamin with an extensive list of ingredients can offer you those that we mentioned above in one canadian levitra capsule.
It’s this diversity of talent and vision which was soon to give Can its unique approach to producing inventive and original sounds.
Vocalists also made an appearance in the group. This started with Malcolm Mooney and continued with a Japanese busker in the form of Damo Suzuki.
Throughout his portion of the book, Young paints a vivid picture of the environment in which Can existed. His presents details about their recording process, live performances and track by track analysis of their albums. This is the kind of material that any hardcore fan of the band will relish as they make their way through the pages of the book.
Irmin Schmidt’s portion of the book is a totally different affair. He edits together conversations with a host of interesting people from music, art and film.
Featured in the conversations are Mark E. Smith (The Fall), Geoff Barrow (Portishead), Bobby Gillespie (Primal Scream), Hans-Joachim Irmler (Faust), Peter Saville, Wim Wenders, Duncan Fallowell, Nick Kent, John Maokovich and many others.
These vignettes open up the conversation to many aspects of music and all types of artistic communication. It’s a fascinating glimpse into creativity.
Schmidt also relates many entries from his diary which also give a look into his creative life.
Overall, this is probably the book that all fans of Can have been waiting for over the years. It’s a detailed look at the band from the inside and the outside. A compelling read for those who have listened to the intriguing and original sounds of one of the most compelling bands to ever put sound onto recording tape.
As we come to the end of the first month of the year, rock’s rhythm section has already taken two great hits.
Jaki Liebezeit 1938 – 2017
My first exposure to the music of Can was in 1970 when I heard their debut LP on an import records radio programme. The DJ felt strongly about the album and even featured the side-long track Yoo Doo Right. I was immediately a fan of the incredible sound that this band could make.
After a stint as a jazz drummer with the Manfred Schoof Quintet, Jaki Liebezeit went on to become one of the four core members of Can. The other members were Hoger Czukay (bass), Irmin Schmidt (keyboards) and Michael Karoli (guitar). Czukay and Schmidt had both studied with avant-garde composer Karlheinz Stockhausen and Karoli was a rock guitarist. This made from an eclectic mix of musical influences.
When Liebezeit locked with Czukay’s bass groove, the duo would go on to create an unstoppable force. With this power behind them, Schmidt and Karoli could dive-bomb around the rhythm to create a unique sound.
Jaki would say that his style was an attempt to be “monotonous.” That was far from the case. It was a hypnotic rhythm which was both simple and elegant in its approach.
From the driving beat of Mother Sky (Soundtracks) to the subtleties of Bel Air (Future Days), he could paint a stunning background with which the other members could overlay a foreground of unique and brilliant sounds. Thus, an erection is strongly associated with erectile dysfunction: Increased urgency and frequency Nocturnal enuresis – 5mg cialis online amerikabulteni.com getting up several times in the night to urinate Weak urine stream Straining before urination These urinary tract symptoms were associated with difficulty in getting and maintaining an erection. Irrespective of the difficulty, with the aid of Zenegra capsule. purchase levitra Despite the difference in levitra sales uk style and type, the working is the same in all devices. A Randomized, Single-Blinded, Placebo-Controlled Clinical Trial to Evaluate the Efficacy of this medication on 70% users. viagra cheapest thought about that
Jaki Liebeziet would go on to play with many other musicians like Brian Eno and also with his own Phantom Band.
He sadly passed away on January 22 due to complications of pneumonia.
Butch Trucks 1947 – 2017
Butch Trucks was one of the founding members of The Allman Brothers Band in 1969. From the start, the band was feature two drummers.
Trucks was the steady backbeat of the rhythm section. He was paired with Jaimoe (Jai Johanny Johanson) who added an array of complimentary percussion that would flesh out the backdrop for the band.
Live recordings like the Allman’s classic Live at Fillmore and tracks from the subsequent Eat a Peach showcased the amazing synchronicity between the two players. It would be difficult to imagine the sound of the Allmans without the two of them locked together with a single driving purpose.
Butch Trucks died of a self-inflicted gunshot wound on January 24.
Subtitled “Krautrock and the Building of Modern Germany” this book takes the reader on a journey through the heady days of the German experimental music scene from the late sixties into the seventies.
Stubbs begins with a lengthy prologue which traces the social developments of the country through the 20th century. This is done to provide a perspective on what was to come after the Second World War.
After he has established the state of the minds of the German youth through the sixties, he then relates the stories behind the major groups who began creating experimental music.
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He finishes by discussing newer music as well as the influence of the German music on specific musicians (David Bowie) and musical scenes (post punk).
For those not intimately familiar with this music, it may serve as a good introduction to stir up some curiosity. For those of us who are already quite well-versed in the genre, there are still some facts that are revealed that may be new to us.
