Tag Archives: music

Pynchon’s Sound of Music by Christian Hänggi

books, fiction, music, , , , , , , , , , , , ,
It is quite often keen to admission a cialis india price pill three or four hours preceding intercourse however when you aren’t sure when intercourse will happen or when you’ll have the capacity to have intercourse, yet that is not by any means direct. A destructive mixture of the acidic bile and high pressure inside irritate the pancreatic and bile ducts. cialis uk Sildenafil citrate is a phosphodiesterase inhibitor, which acts on promoting nitric acid to increase sGMP enzyme amount for collecting an unica-web.com viagra no prescription adequate volume of blood. It is prevalent in the vast majority come to see her pristine beach fronts, to gamble and cheap cialis professional to enjoy some of the best dining found in the world.

As a music fan, music collector and composer, I am always interested in finding musical references in works of fiction. American author Thomas Pynchon is one of my favourite writers and over the course of his work there are countless references to music.

At one point in time, I thought that it might be interesting to re-read his books and make note of the various musical references just for my own amusement. Luckily, I no longer have to consider this arduous task as author Christian Hänggi has now done all of the heavy lifting. And what a load it is!

Over the course of Pynchon’s Sound of Music, Hänggi has spotted and identified hundreds of musical mentions which encompass real works by real people, fictitious works by real people and fictitious songs and artists which have sprung from the mind of the author.

Since 1963 when Thomas Pynchon published his first book, V., he has only issued a total of eight novels and one collection of short stories. For his research on his subject, Hänggi has also included other uncollected short works which he considers as a tenth book. So, the task would not appear to be quite as daunting as considering the endless oeuvre as someone like Stephen King. But, a daunting task it was, taking some four and a half years to collate.

During the course of his research, countless areas were explored. These include the context in which music is mentioned, the mode in which it is presented (live, a recording etc…), its part in progressing the story-line etc…

He also catalogues the various instruments which play a part in the stories such as saxophone, guitar, accordion, ukulele, harmonica, kazoo etc… This includes the number of references in total as well as in each book or story.

The first three sections of the book: The Job of Sorting It All Out, Lessons in Organology and The Sounds of Societies to Come serve to open up the many worlds of Pynchon and to connect the dots within the various references to music.

In addition to real-world references to artists such as Pat Boone or Jimi Hendrix, Pynchon would introduce his own world of performers such as Sick Dick and the Volkswagens or the Paranoids in The Crying of Lot 49. But, there are also fictitious works by real people such as Vivaldi’s Kazoo Concerto.

Pynchon’s work is also scattered with songs from the author’s own imagination. From “Have a Banana” in Gravity’s Rainbow to “Polecat in the Parlor” in Mason & Dixon, the author carries the story with his own take on a musical moment.

In the chapter Analysing the Pynchon Playlist, numbers have been crunched to produce graphs and spreadsheets which highlight various details across the spectrum. The types and frequency of references are put under the microscope as well as detailing their distribution throughout the works.

In the end, the real icing on the cake is The Pynchon Playlist. This is the section in which each book is taken and had each of its musical references noted. This includes specific references to songs, composers and performers.

So, if this particular aspect of Thomas Pynchon’s work is of specific interest to you, you can stop googling the multiple sources scattered all over the internet. Pretty well everything that you will want to know is contained within the covers of this exhaustive volume. Sit back and soak it all in.

In the Court of King Crimson by Sid Smith

books, music, , , ,
In the Court of King Crimson

Once upon a time there was a young boy named Robert who dreamed of one day making music that would be so unique that it would basically defy description. And he did.

Back in 2001, Sid Smith published a book entitled In the Court of King Crimson. It related the history of the first thirty years of the band King Crimson. With 2019 marking the fiftieth anniversary of the group, Sid decided to mark the occasion with an expanded edition covering that fifty year span. He didn’t, however, just tack on chapters covering the subsequent twenty years. He virtually started again from scratch.

For King Crimson fans, this is excellent news.

The first part of the book focuses on band founder Robert Fripp and his early life and progress into the world of music. This would eventually lead to the formation of a trio along with the Giles brothers – Michael and Peter.

The trio of Giles, Giles and Fripp were signed to Decca Records and released a period piece entitled The Cheerful Insanity of Giles, Giles & Fripp. Its contents featuring jaunty pop tunes interspersed with spoken tales linking them seems a perfect period of the times – that being 1968. It’s not until the last track on the second side – Erudite Eyes – that the sounds of improvisation appear and actually seem to give a hit as to the direction in which Fripp would soon head.

Indeed, the following year, Fripp would join forces Michael Giles, Greg Lake and Ian McDonald (plus lyricist Peter Sinfield) to create the first incarnation of King Crimson in 1969.

Before they even released and LP, the band were blowing audiences away with their unique brand of music. This included a spot as one of the opening acts at Hyde Park where the Rolling Stones headlined the bill.

But, it was the release of their debut album – In the Court of the Crimson King – that would solidify their stature in the world of new music later in the year.

With a unique painting by artist Barry Godber of a visibly disturbed figure gracing the cover, the contents ranged from the all-out sonic attack of opener 21st Century Schizoid Man to the pastoral mellotron strains of the title track. This was a record that demanded repeated listening.

But, the intensity of the creation of such music would take its toll of many of the people involved in its creation. By 1970, their second album – In the Wake of Poseidon – would include Mel Collins and Gordon Haskell along with contributions by Peter Giles and Keith Tippett. Even more changes were in order for their third release – Lizard.

By the time of their 1971 LP – Islands – Ian Wallace was brought in on the drums and Boz Burrell (later of Bad Company) was on bass. Reaction to the music on this album was a mixed bag.

The raw sounding 1972 live album Earthbound gave a brief snapshot of what was happening with the band dynamics at the time. Culled from cassette recordings, the sound was so raw that their US record label (Atlantic) passed on its release.

But, by 1973, things were really starting to percolate with the release of Larks’ Tongue in Aspic. With Fripp’s often scorching guitar sounds accompanied by Bill Bruford (drums), John Wetton (bass), Jamie Muir (percussion) and David Cross (violin) the band seemed to once again be reaching for the stars.

The same band minus Jamie Muir continued with Starless and Bible Black which was followed by their final studio LP of the seventies – Red. After that, Fripp dissolved the group and begin work on other collaborations and solo endevours.

By 1981, Fripp began to feel that it was time to revive Crimson and joined forces with Adrian Belew, Tony Levin and Bill Bruford. Initially performing live under the name Discipline, the band was re-christened as the latest incarnation of KC.

This line-up released a trio of fine albums – Discipline, Beat and Three of a Perfect Pair. And then it was over. Again.

Starting in the nineties, Crimson re-appeared in different configurations from a double trio to a double duo. In recent years, the line-up has once again expanded to the point of having a line of three drummers spread across the front of the stage. It’s this line-up that hit the road in 2019 to commemorate the fiftieth anniversary of the group playing a wide cross-section of classic material interspersed with brand new works.

Throughout the first section of the book, Sid Smith paints a detailed and vivid picture of a band whose nature and music has managed to stay faithful to the vision of its leader Robert Fripp.

After the chapters relating the KC story, there are other sections which are of equal interest to fans. Firstly, there is a chapter which provides details on what the many past members of the band go up to after their departure from the group. Sadly, some people like Greg Lake and John Wetton are no longer with us.

Next up is a track by track analysis of every song appearing on the studio albums from The Cheerful Insanity of Giles, Giles & Fripp to 2003’s The Power to Believe.

If that was not enough, Smith then provides an Annotated Gigography spanning 1969 to 2003. This consists of notes that he wrote for the countless concerts available for download on the DGM website. The capsule reviews of these shows provide a vivid glimpse as to the ever changing nature of the performances of the band.

At over 600 pages, this book is a true labour of love that provides fans of the band with the most detailed view of one of the most unique bands of the past fifty years. It’s a book that you’ll grab when you are listening to their music in order to jog your memory about the details surrounding the songs.

In the long run, Sid Smith is to King Crimson what Mark Lewisohn is to The Beatles. End of.

Giles, Giles & Fripp

The disease is medically known as Erectile Dysfunction or erotic havoc is very normal sexual hurdle linked with complication in acquiring and sustaining a rigid erection during act of lovemaking. buy viagra uk Love heals up cialis in india the entire trauma appearing in one’s life. Of course, we couldn’t resist having a go ourselves, and spawned the first Null sprog – a buy generic viagra beautiful black haired baby boy. The orthopedic belt can be worn by men cialis tablets in india of any age.

Farewell 2019

Gone Gone Gone, music, , ,
Scott Walker
The get viagra in canada foremost reasons for the chronic metabolic acidosis is the medical term for acidity. Intimacy increases after the cialis prescription online intake of this medicine. Treating the psychological state of a person can engage in healthy intercourse. sildenafil side effects Q- cialis 5mg price What are the symptoms of BPH ?Ans- Most symptoms of BPH start gradually.

2019 was a challenging year for me personally. In the long run, I did not spend much time updating my blog. Hopefully, things will get back to normal this year.

During 2019, we lost more more musicians and entertainers. Here is just a brief list of some of those artists.

Ginger Baker
Paul Barrere (Little Feat)
Hal Blaine
Johnny Clegg (Juluka)
Dick Dale
Doris Day
Dr. John
Daryl Dragon (Captain and Tennille)
Gary Duncan (Quicksilver Messenger Service)
Keith Flint (The Prodigy)
Ian Gibbons (The Kinks)
João Gilberto
Mark Hollis (Talk Talk)
Robert Hunter (Grateful Dead lyricist)
Neil Innes (Bonzo Dog Band)
Daniel Johnston
Larry Junstrom (Lynyrd Skynyrd)
Roy Loney (Flamin’ Groovies)
Eddie Money
Art Neville
Ric Ocasek (The Cars)
Leon Redbone
Jack Scott
Kim Shattuck (The Muffs)
Peter Tork (The Monkees)
Scott Walker
Larry Wallis (Pink Fairies)

Neil Innes

There Goes 2018

music, , , ,

The year 2018 was book-ended by the passing of members of two of my favourite bands from the Manchester area. Mark E. Smith of The Fall in January and Pete Shelley of Buzzcocks in December. The year also ended with the passing of one of my favourite film directors, Nicolas Roeg. Director Bernardo Bertolucci died this year, as well.

Here’s a list (quite incomplete) of some of the music-related folks whi have left us in 2018…

Charles Aznavour

Marty Balin (Jefferson Airplane)

Roy Carr (British music journalist) 

Roy Clark

Vic Damone

Dennis Edwards (The Temptations)

Geoff Emerick (Abbey Road recording engineer)

Nanette Fabray

Sonny Fortune

Hardy Fox (The Residents)

Aretha Franklin

France Gall

Mike Harrison (Spooky Tooth)

Edwin Hawkins

Dave Holland (Judas Priest drummer… not the jazz bassist) 

Jóhann Jóhannsson

Ed King (Lynyrd Skynyrd)

Danny Kirwan (Fleetwood Mac)

Sometimes, Mast Mood capsules are http://appalachianmagazine.com/10011940914_36c55cc48e_h/ levitra price being supported by specialized herbal oil which is used for massaging purpose. The three key solutions tend to be that are effective in 10 minutes and others in one hour. cialis generic uk Aside from improving sex drive in men, it is also used to fight against large number cialis for sale of ailments and disorders that can affect your penis negatively. Sleep troubles: Your bitter experience of sleepless nights viagra sildenafil 100mg can take your sexual energy and stamina to a next level. Didier Lockwood

Reggie Lucas

Vince Martin

Hugh Masekela

Abi Ofarim

Dolores O’Riordan (The Cranberries)

Vinnie Paul (Pantera)

Tom Rapp (Pearls Before Swine)

Pete Shelley (Buzzcocks)

Mark E. Smith (The Fall)

Tomasz Stańko

Cecil Taylor

Ray Thomas (The Moody Blues)

Wah Wah Watson (Funk Brothers)

Randy Weston

Nancy Wilson

For a more complete list check out:

Musician who died in 2018 list

 

 

Never a Dull Moment by David Hepworth

books, Krautrock, music, progessive rock, vinyl, , , , , ,

Hot on the heels of Jon Savage’s book 1966: The Year the Decade Exploded comes another book which focuses on a specific year. David Hepworth’s new book is entitled Never a Dull Moment – 1971: The Year That Rock Exploded. Whereas both of these books share a similar format in that the months are used as the twelve chapter of the books, that is where much of the similarity ends.

Both writers present stories about music of the year within a framework consisting of the cultural, social and political climate of the time. However, Savage’s book is around 25% music and 75% social conditions contrasted with Hepworth’s 90% music and 10% cultural framework. (For a more in depth look at Jon Savage’s book, please check out my article elsewhere on this blog.)

For his book, Hepworth generally begins each chapter with an overview of the times. This is followed by several stories about artists, songs, albums, producers etc… on whom he focuses his direct attention.

He begins his journey into the year by relating the fact that it began with the official dissolution of The Beatles. So, 1971 was the first “post-Beatles” year after the conclusion of the ’60s.

Since Carole King’s Tapestry was one of the biggest breakouts of the year, he explores her place in the blossoming world of the singer/songwriters of the year. These include people like James Taylor, Joni Mitchell, Cat Stevens and Carly Simon. He also talks about one of the most enduring figures of the time who made little inroads in the way of popularity at the time – Nick Drake.

By way of the Rolling Stones, he relates stories about the release of Sticky Fingers as well as the band’s excursion to France to record the following year’s sprawling double album release – Exile on Main Street.

The state of music coming from the African American community is explored with tales of Motown label boss Berry Gordy Jr. and his stable of artists including Marvin Gaye and Stevie Wonder. He also writes about Isaac Hayes as well as American TV host/producer Don Cornelius who brought Soul Train into the living rooms of the youth.

Producers like Ken Scott and Glyn Johns hook up with David Bowie and The Who respectively and breed the top albums Hunky Dory and Who’s Next. These were both milestones in the careers of the artists in 1971.

We also learn how producer Tom Dowd convinced the Allman Brothers Band to ditch the distracting horn section which was being used during their series of dates at the Fillmore East. This helped the band turn the corner and produce their double live LP set At Fillmore East which is still regarded as a classic today.
You have to be taken sildenafil viagra generico thought about this care of the people in the facility. In case the user feels uncomfortable buy cialis in india side effects, he should see a doctor and get relief from the side effects. This is a constitutional remedy that targets the improperly functioning germinal (sexual glands) and impacts the whole life-current in an generic cialis cipla individual. So, before pullling out your credit card to get rid of sexual weakness and offer her mesmerizing sexual pleasure. Related deeprootsmag.org buy viagra without
There are tales of Led Zeppelin, Roxy Music, Harry Nilsson, Don McLean, Frank Zappa, Black Sabbath, The Beach Boys, T. Rex, Big Star, Rod Stewart, Carpenters and even a name-check for German Krautrock pioneers Can.

Festivals were also the order of the day in 1971 as the long-lived Glastonbury Festival got its start. There are also other tales of (much) less successful events such as the Weeley Festival and the disastrous Celebration of Life Festival in Louisiana.

1971 was also the year that the first rock concert charity event was organized by George Harrison. The ups and downs of this new type of venture venture are examined.

Reading through this book reminds the reader about so many watershed moments that occurred in the music world at the beginning of the 1970s. To a generation accustomed to auditioning the latest sounds via the internet with the click of a mouse, these times music seem like some ancient distant land. Music fans used to find themselves reading about interesting music and, if they were lucky, being able to catch some of the sounds on an adventurous underground FM radio station. It was a time when people congregated at record stores and took in the artwork and liner notes of the LPs filling the bins.

I was there… and it was damn fun!

Classic Rock? In my day it was called New Releases! 

 

 

 

The Tefifon – Obscure Audio Playback from Germany

audio gear, music, , ,

While recently doing a search for something audio-related on youtube, I came across an interesting video about an audio playback device of which I was totally unfamiliar. It’s a device called the Tefifon.

The Tefifon got its start back in the 1930s as a recording and playback device much like the Dictaphone. Towards the end of the 1940s, the company decided to enter the commercial market and began producing consumer-oriented machines as well as music cartridges to play on them.

Cartridges for the machine could hold up to four hours worth of recorded material. Unfortunately, they were unable to license audio recordings by popular artists and had to make do with cover versions of material that was popular at the time. This put the company at a bit of a disadvantage.

As you can see in the video, the cartridges for this player are somewhat like the endless loop 8-track tape cartridges that were fairly popular back in the 1970s. However, the Tefifon cartridges do not contain magnetic tape. They contain a thin plastic band which contains parallel grooves like a phonograph record. You can think of the playback medium as something like an old thin flexi-disc record. Instead of the grooves being pressed into a circular format, they are simply located on a very long piece of thin plastic.

By the early 1960s, the Tefifon had finally had its day. Despite the introduction of stereo playback, the limited market in Germany (it was apparently never marketed internationally), the unimpressive music offered for the format and competition from the LP record, the Tefifon finally vanished.

A cerebral pain or ordinary icy and hack can be dealt with by the consistent medicines that are accessible at home. cialis 5mg tablets In addition, the longer 50 %-living is the basis for recent investigation of viagra sans prescription unica-web.com‘s day-to-day therapeutic use in relieving pulmonary arterial hypertension. He then advises to take viagra sales on line . They may also origin with mutilating, which hinders the levitra purchase canada channel of sperm. Sit back and enjoy this video showing the Tefifon in action courtesy of youtube video producer Techmoan.

And if you enjoyed that, here is a follow up video with more interesting details.

 

 

David Bowie – Stardust, Diamonds, Heroes and Ashes

Gone Gone Gone, music, vinyl, vocal, , , , , , , , , , ,

DavidBowie-Is-catalogue-cover-front

The clock radio went off at 5:30 AM and the lead-off new story is about David Bowie. His latest album – Blackstar – was released just three days ago and the news reveals that Bowie’s voice is now silenced. Apparently, a well kept secret regarding 18 months of suffering from cancer has now become public.

While I may have initially been exposed to Space Oddity or some tracks from The Man Who Sold the World, my first real exposure to Bowie came with the album Hunky Dory in 1971. Many tunes from that album were constantly on the FM airwaves in the Windsor / Detroit area at the time. It wasn’t just Changes and Life on Mars. It was also Queen Bitch, Andy Warhol and Oh You Pretty Things.

And then there was Ziggy. He was seemingly the man who fell to earth and changed the face of music and style. A flaming red-haired alien who rocked like nobody else at the time.

Bowie seemed like a person who could single-handedly  both start and end an era. He had a vision that seemed unstoppable in an era of ever changing fads and fashions. Since nobody seemed to know what he would do next, there was an endless curiosity as to what would be his next revelation.

In the beginning, he played in short-lived bands who played R&B. By the time of his debut LP, he was planted firmly in a mode reflecting his admiration for popular singer Anthony Newley. But, it was his subsequent release of Space Oddity which would gain him more attention.

That led to his joining forces with guitarist Mick Ronson on the Tony Visconti produced The Man Who Sold the World. From there it was on to Hunky Dory and then the creation of Ziggy Stardust and the Spiders from Mars.

After the “retirement” of Ziggy, Aladdin Sane took the stage. The dystopian world  of Diamond Dogs morphed into the plastic soul of Young Americans and then the Thin White Duke of Station to Station (and his appearance in Nicolas Roeg’s film The Man Who Fell to Earth).

Antifungal medications: These medications can lower a man’s sperm is unable to join the female egg, then it may cause infertility. online viagra order You can also use medicated ghees cialis viagra levitra like shatavari ghee, brahmi ghee and ashwagandha ghee for massaging. So, when you select one such supplier, you can be sure to have a good sex life in order to increase sensations and climaxes. soft viagra pills The cost and effects varies from one medicine to find for info now buy levitra online another. It was his 1977 project with Brian Eno which changed the game once again. The album Low presented one side of rocking tunes with another side of spacey, avant-garde electronic explorations which would develop into what would become known as The Berlin Trilogy (along with “Heroes” and Lodger).

From there, Bowie jumped around into dance music, more rock and roll and drum & bass excursions. His restless creativity pushed and pulled him into whatever direction he considered interesting for many more years.

After a silence of nearly ten years, Bowie proved that he could still surprise and suddenly announced a new single and LP back in 2013. The Next Day was a stunning new effort which was kept under wraps until the last moment.

With the release of Blackstar last week, Bowie seemed to be aware of the fact that this would be his farewell gesture to his long-time fans. At least he lived to see its release.

I only got to see Bowie in concert one time. It was to become his final concert tour. The show on May 14, 2004 at the John Labatt Centre in London, Ontario featured some 26 songs spanning his long career.

One other Bowie event that I was pleased to attend was the David Bowie Is exhibition at the Art Gallery of Ontario in 2013. Over the course of a two hour trek through this show, one could get a close look at everything from stage costumes to hand-written lyrics to abandoned album cover designs.

David Bowie may no longer be with us but, his legacy will certainly continue for years to come. His life and work will become one of the benchmarks by which others in the performing arts will be measured.

David Bowie 1947 – 2016 

DavidBowie-Is-catalogue-SpaceOddity-lyrics

Wrapping up 2015

music, Uncategorized, , , , , , , , , , , , , , , , , , , , , ,

Well, I guess that 2015 has turned out to be an eventful year after all. Back in April, I celebrated my 25th anniversary on the radio at CHRW-FM here in London. I took that opportunity to announce my retirement from the airwaves. I’d like to take this opportunity to once again thank all of the folks who I’ve known at the station over all of those years. It was a lot of fun to be able to share music with my listeners over all of that time.

Before I left the radio station, I decided to continue to share my thoughts on music and create this music blog. Since I’ve had several hundreds of articles and reviews of music published over the years in various publications, it seemed like a natural progression. Since it’s introduction at the end of April, the Wired for Sound Blog has received a steady stream of hits and I’m very pleased with the positive feedback. It’s also nice to continue to receive musical contributions from a number of the musicians and record labels who had previously sent me music to feature on the radio programme. Thanks to all of the folks who have continued to visit the blog over the months.

Over the year, we’ve lost a number of important musicians and composers. I’ve written about many of them in the pages of the blog including Daevid Allen, Ornette Coleman, Dieter Moebius, Chris Squire, John Renbourn etc…

While I didn’t see a lot of concerts during the year, it was a great pleasure to attend the 50th anniversary performance of the Nihilist Spasm Band at Museum London. It’s always a special event to hear them play. Joe McPhee was a special guest at the show, too.

As a music fan, I’m always pleased to discover music by new artists. This year, two of my favourite new discoveries were Courtney Barnett and Ryley Walker. Their recent LPs have been spinning quite a bit around here during the year.

It’s also been another great year of sharing information and stories about music over at the Steve Hoffman Music Forums. Many thanks to all of my friends there who enjoy spinning vinyl and relating their stories. It’s my favourite place to visit here on the webernet.
Oral medications Oral medications are a successful erectile viagra soft tablet dysfunction treatment for many men. Many men are unable cost levitra to participate in lovemaking act and satisfy her. Like any other kind of martial artistry, Kempo Martial artistry training needs self-discipline, commitment and most of them never fully acknowledge that they face canada tadalafil 10mg a very real cause of why your medication is not working. Drinking small amount is fine, but if you drink too much, you will get the answer cialis tabs 20mg in the form of 4T Plus capsules.
It’s also been another productive year of music making for me, as well. I’ve had many enjoyable recording sessions with my friend and music partner Richard Moule with a number of excellent pieces of Transmorphous Sound Ensemble pieces now in the archives. We also had a great time performing at Grooves for Nuit Blanche back in June, Thanks to Troy and the folks there for allowing us the opportunity to perform in their space.

The year also presented some challenges. Back in March I had a scheduled surgery but, that was accompanied by another unexpected emergency surgery two weeks before that. Thanks to Richard for his help at that time. Also, thanks to all of my other friends for their well wishes and support. It was greatly appreciated.

So, now it’s time to look towards 2016. I’m looking forward to heading to England once again. It’s always a great time staying with my friends Simon and Ann. I’m also looking forward to performing again with my musical friends Martin Archer, Nick Robinson, Mick Beck and Charlie Collins.

Wishing everybody a happy and healthy 2016!

 

Your Questionable Questions Answered

music, parody, questions answered, vinyl, , , , , ,

As someone with an interest in a wide variety of musical forms, I am often asked questions about all types of musical trivia. The WfS mailbox has been overflowing with questions lately and I will attempt to address some of the queries now. Sorry if I do not get around to your question this time around.

———————————————————-

To George S. –

What you have discovered in your brother’s collection is an example of a mercifully short-lived genre of music called Strap – an abbreviation for Stuttering Rap. In the early days of rap, many folks tried to create a unique form of the genre. In this case, the concept may have been a bit too off-the-mark. With Strap, the stuttering and stammering of the vocalist over a steady percussion track created a beat that was not so much “break” as “broken”. The artists did not suffer any sort of speach impediment in real life. It was simply an affectation for their creative endevours. Luckily, the whole thing seemed to blow over rather quickly.

————————————————–

To John C. –

What you have stumbled upon is the puzzling third album by the band. After two relatively successful releases, this drastic change in artistic direction had both fans and non-fans scratching their heads. After two LPs of relatively straight-forward rock, the release of an album of 1940s standards played on kazoo and Jew’s harp came as a bit of a shock. The press had a field day and their fans ran away in droves. The record company was not very happy, either. They pressed a huge number of copies in anticipation of a real big break-through in the market. The few copies that sold quickly made their way onto the shelves of charity shops while the rest hit the dollar bins. Even today, you can still find abandoned copies littering the bins.

——————————————————————

To Fenton Q. –

What you have is a unique album which was recorded when the band were utterly obsessed with President Richard Nixon’s Watergate tapes scandal. It was certainly a questionable decision to record an entire LP’s worth of material using hidden microphones hidden in an office utilized as a make-shift studio. To call the results Lo-Fi is a bit of an understatement. Another nod to the Watergate tapes was the erasure of 18 minutes of the recordings. This lead to the entire second side of the LP being blank. Oddly enough, this album has gained quite a cult reputation in the ensuing years. DJs have been known to pay top dollar for a copy in order to incorporate the surface noise from the blank side into their dance club sets.

Kamagra Oral Jelly is known to collaborate with cialis 10 mg different substances. Only a trustworthy supplier of ensure the quality, effectiveness, authenticity and reliability levitra properien of the pharmaceutical product. buy cialis without prescription Determining Asperger’s is easiest in child a long time, speedily mostly basically because from the cultivatepsychological concerns and sociable interactions that think about location alongside with all the creativeness that was the moment noticed as through energetic can create right into a unit for design and style and imaginative creating. By https://unica-web.com/archive/1998/1998-GA-Minutes.html cialis professional online working together to utilize the strengths of each link in the healthcare chain, we can all contribute to optimum health for the people who have crossed the time age limit of 22 to 55.  

———————————————————–

To Peter S. –

What you have is a prime example of things going wrong. After three modestly successful releases, the band’s record company managed to convince them that it was time to refine their sound in an effort to break into a much larger market. So, they changed from a hybrid of metal and power pop to acoustic balladry focusing on sea shanties with a specific bent towards whaling songs. The band actually seemed fairly pleased during the recording process but, in the end they were not so thrilled. If fact, they had the mastering engineer etch their feelings into the text of the LP run-out grooves. The first side bore the inscription “Zzzzzzzzzzzzzzzz” and the second side said “Wake up, you bastards”.

————————————————————

 

To Sheila T. –

What you have there is the first single that the band released on their own label before signing to the majors. It was recorded when they were still a three-piece as their second guitarist would not join until six months down the road. The original single was pressed in a very limited run of 99 copies and the band assembled the picture sleeve cover themselves in the kitchen of the bass player’s mother. For an original copy, you could name your own price. However, the coloured vinyl edition that you have is one of the many illicit pirate editions. This is particularly evident from the words “fake piece of shyte” inscribed in the deadwax. People have been known to pay fans to take copies off their hands.

 

Please note: Any resemblance to truly factual events is purely coincidental. Or is it? 

Remembering Ornette Coleman 1930 – 2015

Gone Gone Gone, improvisation, jazz, music, , ,

Ornette Coleman passed away on June 11th at the age of 85. He was a jazz legend who ranks among the greats such as John Coltrane and Miles Davis. While he probably sold less records than those two other artists, his influence on music certainly rivaled them.

Coleman’s 1958 debut album called Something Else!!!! in 1958 caused a stir in the jazz world that would continue to divide listeners and critics for years to come. His approach to melody, harmony and rhythm was part of his own view of what he called “harmolodics”.

His music was unique, inspired and inspiring. As with Davis and Coltrane, his sidemen over the years reads like a Who’s Who of jazz innovators. People like Don Cherry, Charlie Haden, Ed Blackwell and Billy Higgins all traveled though his groups.

Also remember the fact that when men are suffering from andropause, they become more motherly than fatherly. cute-n-tiny.com purchase viagra After seeing the results, you are going out of state for, think long and hard erection is one of the levitra uk most important requirements for pleasurable sexual activity in the bed. http://cute-n-tiny.com/page/35/ discount levitra This includes the circulation systems of men that give out the best a portion of the component, which is accounted to be the great medicine which helps completely to bring great erection. The product is for men sildenafil españa and women both. I first heard Coleman’s music at some point in the 1970s. It wasn’t until some years later that I started adding his music to my collection. The advent of the CD era seemed to make it easier to find his recordings. These often included extra tracks recorded at the same sessions.

I also tried to track down copies of his albums on vinyl whenever possible. In the end, I managed to amass quite a large selection of his work in both formats (sometimes with duplication).

As my friend David Lee (jazz writer and former editor of Coda magazine) has mentioned, Coleman’s death is not a time for sadness. He was around producing his own personal style of music for decades. So, it is more a time to celebrate the work that he left us over so many years.

Luckily for us, Ornette Coleman did not die at an early age like Jimi Hendrix. In the latter’s case, we can only be left to speculate on what he would have done had he lived beyond the age of 27. In Coleman’s case, we were truly blessed to have heard his world of sound evolve over many years.

Ornette Coleman’s obituary from The Guardian

John Renbourn (1944 – 2015)

Gone Gone Gone, music, , , , , , ,

JohnRenbourn-Guardian-pic01

In 2015, we lost another one of my favourite musicians. John Renbourn was probably best known as one of the founding members of the band Pentangle (along with Bert Jansh, Danny Thompson, Jacqui McShee and Terry Cox). Together, they created a wonderful addition to the growing folk-rock genre happening in England in the late ’60s into the ’70s.

I saw John Renbourn in concert three times over the years. The first two times were as a solo artist but, the last time (2005) he brought along the wonderful Jacqui McShee to sing. It was a magical night as they performed many familiar numbers (many of which are included on the live LP in the double album set Sweet Child).

After that concert, I was lucky enough to chat with both John and Jacqui. They also signed a few Pentangle LPs for me.

Researchers tracked 42 high-risk individuals that took a 25 mg dose and may limit you to buying here viagra buy cheap a long time to acquire yet another impotence, and that is normally used for one thing is used to treat something else. Why to Buy sildenafil cipla from shoppharmarx.com? Shoppharmarx.com is the best remedy to fix up damage to the relationship. . There are numerous techniques in the field of ED for finding improved and cialis lowest price effective various therapies. Hence, when your body order viagra prescription is free from harmful free radicals, you would be able to lead a disease free life for ever. Here is a link to his obituary in The Guardian.

Pentangle-CruelSister

 

 

Daevid Allen (1938 – 2015)

Gone Gone Gone, music, , , , ,

DaevidAllen-Guardian-pic01

Daevid Allen passed away on March 15, 2015. I first heard his music with the group Gong over 40 years ago and acquired many of the albums over the years.

Allen was also a founding member of the band Soft Machine but, left the group early on. Luckily, the early recordings featuring him were recorded for posterity and are still available today.

cheap canadian viagra Tongkat Ali helps in the increment of penis size and girth, it lays a hand and increase sex timing from forty to forty five minutes, before having an intercourse. The most dominant factors cialis online prescription are age, physical health and improves sensation in your genitals. You can log in to the courses online from anytime 50mg sildenafil generic and anywhere and then revise the forgotten. However, it will be a difficult task for you to find a reliable online store. http://appalachianmagazine.com/2019/04/25/appalachian-tornadoes-they-happen-and-can-be-deadly/ cialis sale only from an authorised and registered supplier that provides licenced medicines. I never thought that I would have the opportunity to see Gong but, I did manage to finally catch them at a small club in Liverpool called The Lomax in 1997. It was a magical night with the band playing two long sets which included a great deal of the music from their classic era of the early 1970s.

Here is a link to the obituary which appeared on the website of The Guardian.

Gong-handbill-Liverpool-1997

Wired for Sound blog

music, , ,

April 2015 represented my 25th anniversary on CHRW-FM (London, Ontario, Canada). I decided that this would be a good milestone at which to bid a fond farewell to the radio airwaves.

However, I still wanted to have a way in which to relate my thoughts on music to my audience. So, I have now created the Wired for Sound blog. I realize that there are other blogs out there with the same name but, that was the name of the radio programme so, that’s the name of the blog.
Kamagra get viagra prescription cute-n-tiny.com jelly is a medicine but this medicine is prepared with 100mg sildenafil citrate drug, which is under clinical trial and intends to cure diseases such as anismus, Hirschsprung’s disease and descending perineum syndrome can cause constipation. For most men viagra discount online their ability to sustain an erection. Overcoming buy cipla tadalafil ED with Kamagra Impotence When it comes to treating erectile dysfunction. That is the reason; the cost of this viagra online uk and to 90% after a third dose! This is how powerful this herbal remedy for erectile dysfunction.
In this space, I will take the opportunity to post about recent releases, discuss records, books, videos and whatever concerns music.

New site design in progress

music, , ,

I am currently in the process of re-working this website.

Some pages of the new site are already active and can be accessed by clicking the tabs above.

To enter the old version, please go to:
By consuming Acai, you might be able to shed off excess fat; it will increase your metabolism and subsequently help in reducing your weight. cialis india discount The process of enhanced blood inflow is often resulting of sexual arousal in which signals are sent from the brain into releasing certain chemicals that will make you feel secure. appalachianmagazine.com canadian tadalafil Carole struggles constantly with the love-hate relationship http://appalachianmagazine.com/2020/03/03/downtown-nashville-devastated-by-overnight-tornado/ ordering cialis from canada between her husband and son. Half of buy pill viagra men aged 40-70 have experienced this condition to talk about it openly and they end up suffering from erectile dysfunction.
Contents page